Two strangers, Jerzy and Marta, accidentally end up holding tickets for the same sleeping chamber on an overnight train to the Baltic Sea coast. Also on board is Marta's spurned lover, who will not leave her alone. When the police enter the train in search of a murderer on the lam, rumors fly and everything seems to point toward one of the main characters as the culprit.

The film is a portrait of Zygmunt Samosiuk, a great forgotten cinematographer, who died in 1983. As a director of photography he worked on such films as The Birch Wood, Landscape Afterthe Battle and Austeria. He introduced, among others, hand‑held camera shots, colour lights and shooting at minimum exposure. Reminiscences of his colleagues and friends, including Andrzej Wajda and Piotr Szulkin, show a gifted artist and a modest man who valued his work above all.

Janusz Majewski, an outstanding film director seen through the eyes of his friend, Stefan Szlachtycz. The passion for literature and film in Janusz Majewski's life is united by the motif of a dream - the film's title alludes to both Pedro Calderon de la Barca's drama and cinema as a dream factory.

A sociologist nearing middle-aged returns to Poland after several years of giving lectures abroad. The changing economy of the country and business successes of the people around him inspire him to venture out into the deep and unpredictable world of capitalism himself.

The main character of "Żyłem siedemnaście razy" reflects on his childhood in Gwoździec and tells a story about the beginning of his career as a filmmaker.

A group of young Łódź hoodlums spends their time shoplifting, partying and drinking heavily, until they are faced with serious consequences of their reckless behaviour.

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