November 1982, Martial Law. The film tells the story of conscripts drafted into the army who, reluctant toward the communist authorities, often refused to carry out orders.

Visual poem driven by graphic matches (matching shapes, movements, and textures between the female body and natural landscapes) and macro cinematography. It explores the idea that the body is not just in nature, but is nature.

A psychological horror that explores the paralyzing grip of social anxiety and the devastating consequences of hiding mental health struggles from a partner in adulthood.