Dr. Madhurika, a career-focused woman, marries Narendra on condition .of no children or interference. Her neglect of home and close ties with colleague Dr. Gaurish spark Narendra's jealousy. However, when Narendra helps Gaurish's wife and a stranger, Madhurika's own jealousy leads her to embrace a domesticated role

Do Mastane is a 1958 Hindi film directed by Harish Tara.

A period adventure with Motilal in a famous dual role. Judhajit (Sankatha), the outlawed brother of the king of Udayanagar, wants revenge on the royal family. He had left the palace with one of the king's twin sons who grew up as Indrajit, the twin of the drunken and debauched Prince Shatrujit (both Motilal) due to marry Princess Chanda (Sabita Devi). Indrajit is sent to kidnap her as part of the vendetta but the two fall in love. Shatrujit is too drunk to go through the marriage procedure and the dewan (Ansari) asks Indrajit to impersonate his brother. Indrajit is now torn between his love for Chanda and his promise to the dewan, but the story ends happily,

The evil Chand (Motilal) and his rich father Mangaldas (Date) persecute the nice Sunder (Ishwarlal): he kidnaps Sunder's sister Kokila (Khursheed) and frames him for theft. Sunder is jailed. The abducted Kokila succumbs to the villain's charms and her love reforms him. When released, Sunder, unaware of the fact that his enemy has reformed, seeks revenge on the very day that Chand and Kokila are to marry.

Nightingale (Kokila) is a 1937 Hindi social family drama film directed by Sarvottam Badami

A 1945 Bollywood film starring Motilal and Nargis

A social woman-centered film interrogating aspects of feudal patriarchy. The painter Ashok (Surendra) who loves the orphaned Vimala (Bibbo) is distressed to learn that she is due to marry Jagdish (Yakub). He paints Vimala's portraits with a frenzied obsession and becomes a famous artist. Paralleling this love story is the decline in Ashok's family fortunes.

A sculptor falls for an amnesiac woman found after a bombing, whose strange behavior hides a past that threatens their unconventional romance and a brewing love triangle.

Set in 1910, its modern hero, Kanwal (Motilal), invents a ray that records pain and pleasure photographically. His experiments render him blind. Country lass Meera (Shamim) tends to him and they fall in love. Later Meera meets a sage (Shah) who has an expensive magic potion that cures blindness. Unable to afford it, Meera kills the sage, grabs the medicine and goes to Kanwal’s house while all nature protests her actions. There the evil Diwan (Bhagwandas) and his accomplices steal the medicine, cure Kanwal and take the credit. Kanwal, who can now see but does not recognise Meera, accuses her of murder but eventually realises the truth.

An early Indian film explored themes of faith, hope, societal struggles, and the role of prayer or devotion in overcoming adversity

An earthquake separates wealthy siblings Premnath and Mala, leaving Premnath with amnesia and in love with beggar girl Mira. As Mala seeks to reunite with her brother, the film questions whether true love can bridge societal divides.

Childhood sweethearts grow up in a small village with a love-hate relationship which changes to love when they mature.

Entering an apartment block in search of a drink of water, a naive peasant finds himself mistaken for a thief and is chased by the residents. Whilst evading capture, he inadvertently exposes the venality and dishonesty of the building's middle class occupants.

Widowed Mrs. Lal lives with her two sons, Ram and Ratan; an unmarried daughter, Sheela; Ram's wife, Parvati and her children. While Ram is employed in a mill, Ratan is studying engineering in Calcutta. When Ratan returns, he is offered a job at the same mill, falls in love with a Typist named Manju, much to chagrin of Malti, the daughter of the mill-owner, Sewakram. When Ratan finds out that Sewakram has been defrauding the employees, he decides to form a union, a move that is opposed by Ram, who is very devoted and loyal to Sewakram.

A young boy travels to Delhi, wanting to meet Prime Minister to seek justice for his father who has been wrongly sentenced to death.

Dhanna and his young daughter Tulsi struggle in poverty until Tulsi, trying to help her sick father, is arrested for theft and sent to jail. She later comes under the care of Dr. Kailash, whose household is held together by Rekha, the prosecuting attorney’s daughter in love with him. As Tulsi’s presence stirs tensions between Rekha and Kailash, the story weaves through themes of love, money, and morality, moving from hardship and conflict toward reconciliation and harmony.

Motilal in the role of a doctor, wants to join the revolutionaries along with his girlfriend played by Shobhana Samarth. Both are opposed by their parents. The parents find it difficult to come to terms with what they consider as 'western influences' on their children in clothes and thinking. Several humorous situations arise in the process with everything finally ending to the satisfaction of both generations.

A devoted traditional wife heals her ailing husband, only for him to abandon her for a dancing girl. Can a modern, educated woman's revolutionary ideas mend the broken marriage and restore love?

A businessman's family is torn apart by an earthquake and reunited years later in a courtroom where father and sons stand opposed in the roles of accused, lawyer, and witness.

In between his more ambitious Najma (1943) and Humayun (1945), Mehboob made this lightweight comedy about Justice Gangaprasad (Chandramohan) and theatre-owner Seth Badriprasad (Charlie) who lose their daughter and son respectively in the Kumbh Mela.