American Playhouse is an anthology television series periodically broadcast by Public Broadcasting Service in the United States.

Monsters is a syndicated horror anthology series which originally ran from 1988 to 1991 and reran on the Sci-Fi Channel during the 1990s. Similarly to Tales from the Darkside, Monsters shared the same producer, and in some ways succeeded the show. It differed in some respects nonetheless. While Tales sometimes dabbled in stories of science fiction and fantasy, this series was more strictly horror. As the name implies, each episode features a different monster, from the animatronic puppet of a fictional children's television program to mutated, weapon-wielding lab rats.

In the sleepy town of Centerville, the lives of a number of interconnected characters are disrupted by the undead.

In Memphis, Tennessee, over the course of a single night, the Arcade Hotel, run by an eccentric night clerk and a clueless bellboy, is visited by a young Japanese couple traveling in search of the roots of rock; an Italian woman in mourning who stumbles upon a fleeing charlatan girl; and a comical trio of accidental thieves looking for a place to hide.

New York layabout Willie forms an unexpected bond with his young Hungarian cousin Eva when she pays him a surprise visit. Later, Eva moves in with their aunt in Cleveland, and Willie takes his best friend Eddie to see her—a visit that culminates in a strange, eventful trip to Florida.

On New Year's Eve 1928, in the New York underworld, a gambler sells his body to science, a gangster needs a transfusion, and a gambler is on the run

In downtown Manhattan, twentysomething Allie, whose father is not around and whose mother is institutionalized, is a big Charlie Parker fan. He almost subconsciously searches for meaning in his life and meets some idiosyncratic characters along the way.

When Howard Brookner lost his life to AIDS in 1989, the 35-year-old director had completed two feature documentaries and was in post-production on his narrative debut, Bloodhounds of Broadway. Twenty-five years later, his nephew, Aaron, sets out on a quest to find the lost negative of Burroughs: The Movie, his uncle's critically-acclaimed portrait of legendary author William S. Burroughs. When Aaron uncovers Howard's extensive archive in Burroughs’ bunker, it not only revives the film for a new generation, but also opens a vibrant window on New York City’s creative culture from the 1970s and ‘80s, and inspires a wide-ranging exploration of his beloved uncle's legacy.

"Shortly after Amos went into home hospice he began filming ‘Adios’, a short film, compiled of 16mm and Super 8 footage, to premiere at his memorial, chronicling all the family and friends who have come to visit. Even Courtney our absolutely wonderful hospice nurse is in it. […] Only twice have we forgotten to film a visitor. Amos designated me the Director of Photography. Since I have to focus and shoot using my bad left eye the joke in our home is that it’s a film by a dying director and a blind DP." – Claudia Summers

An anthology film centering around the worldwide adventures of the Nissan Figaro.

In the years before Ronald Reagan took office, Manhattan was in ruins. But true art has never come from comfort, and it was precisely those dire circumstances that inspired artists like Jim Jarmusch, Lizzy Borden, and Amos Poe to produce some of their best works. Taking their cues from punk rock and new wave music, these young maverick filmmakers confronted viewers with a stark reality that stood in powerful contrast to the escapist product being churned out by Hollywood.

Sophie comes to New York from France with the intention of joining a man she met a few months before. She finds herself alone in the apartment of the guy, who left town because he was scared stiff at the idea of seeing her. Originally commissioned as one third of an omnibus feature showcasing the Figaro, a Japan-only retro throwback car.

A 30 minute film shot by Jim Jarmusch at Rockfield Studio, Wales with never before seen footage of Joe Strummer recording the soundtrack for When Pigs Fly.

In 1982, the completion of Jim Jarmusch's sophomore film, Stranger Than Paradise, hinged on producer Sara Driver’s willingness and ability to smuggle one of the world’s rarest and most controversial films across the Atlantic Ocean.

A short behind-the-scenes documentary shot and edited on Super 8 by filmmaker Tom Jarmusch, director Jim Jarmusch’s brother, during the filming of STRANGER THAN PARADISE.

This short documentary captures the poetry of the city’s storied skid row before its gentrification.