Play for Today is a British television anthology drama series, produced by the BBC and transmitted on BBC1 from 1970 to 1984. During the run, more than three hundred programmes, featuring original television plays, and adaptations of stage plays and novels, were transmitted. The individual episodes were between fifty and a hundred minutes in duration.

No one expects much from Christy Brown, a boy with cerebral palsy born into a working-class Irish family. Though Christy is a spastic quadriplegic and essentially paralyzed, a miraculous event occurs when, at the age of 5, he demonstrates control of his left foot by using chalk to scrawl a word on the floor. With the help of his steely mother — and no shortage of grit and determination — Christy overcomes his infirmity to become a painter, poet and author.

Three girlhood friends now at college share first loves, first kisses and first betrayals. At the center of it all is the best-looking boy on campus. Can a self-conscious dreamer hook the biggest fish in the pond?

Rita, a witty 26-year-old hairdresser, wants to 'discover' herself, so she joins the Open University where she meets the disillusioned professor of literature, Dr. Frank Bryant. His marriage has failed, his new girlfriend is having an affair with his best friend and he can't get through the day without downing a bottle or two of whisky. What Frank needs is a challenge... and along comes Rita.

Sharon Curley is a 20-year-old living with her parents and many brothers and sisters in Dublin. When she gets pregnant and refuses to name the father, she becomes the talk of the town.

A French actress returns to her Irish roots during the last summer before World War II. While there, she must come to grips with her family and the love of two men. Television adaptation of Kate O'Brien's 1943 novel of the same name.

Adapted from Charles O'Neal's 1949 book, this follows the lighthearted adventures of a late 19th Century young man named Jamie McGrew, the three wishes granted to him in a dream by a fairy queen, and the unusual way they come true. His first is for travel (he goes from Ireland to a life of horse trading in Georgia); his second, to marry the girl of his dreams; the third, a son with the gift of poetry and the ability to speak in the ancient Gaelic tongue.

Thomas Crimmins is a new warder, or guard, in an Irish prison. He is young, naive, and idealistic, determined to serve his country by his part in meting out justice to criminals. His superior, Regan, however, realizes that even prisoners are human beings, and Regan is sick of the eye-for-an-eye attitude that leads the state to execute condemned men, or "quare fellows." Crimmins begins to see that not all is black and white in his new world, and when he becomes involved with Kathleen, the wife of one of the condemned men, his attitude begins to change. When new evidence arises to suggest that Kathleen's husband may not deserve his fate, Crimmins is torn between his duty and his humanity.

A small town plans to erect a monument in memory of an IRA rebel killed during the 1920s. The son of the English Colonel who killed the rebel objects to this.

An aging school teacher (Lansbury) at a Catholic grammar school in Minnesota questions her life's existence when she has to start battling a new bishop (Prosky). As a result she retires and moves to Ireland where she seeks an admirer (Elliott) with whom she has been corresponding for five years.

A British play about homelessness by Jeremy Sandford, writer of "Cathy Come Home", first broadcast as a BBC Play For Today. It details the deterioration of Edna, a homeless alcoholic and was made at a time when vagrancy was still a criminal offence.

Against the backdrop of the bombing campaign in Britain and the Northern Ireland Hunger Strike, a young woman joins a terrorist operation which takes three people hostage. Over the days of their captivity, she questions her own involvement and the history of Ireland which has brought her to this point.

The story of Anne Devlin, who was caught up in the revolt of the Irish under Robert Emmett in 1803, told exclusively from the woman's point of view.