After a devastating loss, Esteban “La Máquina” Osuna is at a low point in his boxing career. Lucky for him, his manager and best friend Andy Lujan is determined to get him back on top. But when a nefarious organization rears its head, the stakes of this rematch become life or death. Esteban must juggle his own personal demons and protect his family.

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Seven years after his triumph in Cuba, Che winds up in Bolivia, where he tries to ignite the same revolutionary fires as before.

Ernesto Guevara, known as 'Che', leads a group of Cuban exiles under Fidel Castro in a revolution to overthrow Fulgencio Batista, the dictator of Cuba.

Her name is Mina, but she is called Bambola (doll). Upon the death of her mother, she and her homosexual brother, Flavio, open a pizzeria. A man named Ugo loans Bambola the money, but is then killed in a fight with another one of her boyfriends, Settimio. While visiting Settimio in jail, she meets a sadistic man named Furio, and they begin a relationship.

Three stories, loosely inspired on short stories from classic Boccaccio’s Decameron, are connected by a creatively-bankrupt writer who offers money in exchange for original subjects.

Candela works at a logistics company while she pursues her dream of becoming a singer. Her life changes one night when a multinational record company executive hears her sing in a bar. That same night, Candela meets up with Diego, an old high school classmate of hers who is fighting to be a professional boxer.

Edipo, is appointed mayor of a town plunged in misery and violence. His first mission is to discover and punish the murderers of Layo, a well-known potentate of the region. His investigation is directed towards all the armed factions that exist in Colombia.

Simón transports illegal immigrants to New York, leaving them to their fate. When he is discovered by the coastguard, a young sailor, named Andrés saves his life. But when Andrés falls for Marie—a young protegée of Simón's—conflict erupts.

In 1979 Cuba, flamboyant gay artist Diego attempts to seduce straitlaced David, an idealistic young communist, and fails dismally. But David conspires to be "friends" with Diego so he can monitor the artist's subversive life for the state. As Diego and David discuss politics, individuality and personal expression in Castro's Cuba, a genuine friendship develops between the two.

A macabre and funny business of fake deaths explores the different reasons why a person fakes their own funeral to start a new life.

The architecture student Estela (Silvia Aguila) makes a suicide attempt after her plans for solving Havana's housing shortage are rejected. This brings her into contact with earthy, cynical hospital nurse Ernesto (Jorge Perugorria). Estela invites him home for dinner, and he succeeds in offending everyone present. Unable to find a quiet spot to be alone, they finally find a squatters' tenement, where their sexual frenzy causes a ceiling to collapse. They next try vertical love in a stalled elevator, trapping people in the modern building minus stairs. Fleeing responsibilities, they stage a romantic rendezvous alongside a country river, but once again they are interrupted as Cuban commissars arrive with papers and forms because the couple constructs a hut beneath a bridge. Amid the misadventures, lust turns to love

A world record, an accident, a heroic act, a matter of scientific interest. All this happens simultaneously. The editorial board of the newspaper La Avanzada must decide what goes on the front page.

An amusing regression with autobiographical overtones to the therapy that the protagonist follows with Dr. Portuondo, a peculiar Cuban psychoanalyst who shouts at his patients, swears in the name of Freud and drinks Johnnie Walker whiskey.

The story revolves around Goya's womanising and the mysterious death of the Duchess of Alba at the end of the 18th and beginning of the 19th Centuries, at a time when Madrid was wobbling through a difficult time and setting the scene for the following Prim vs Crown uprising.

Over several years, we follow three households and their emotions in a barrio of Havana. Magalis is a nurse, rarely happy. An older man, Ignacio, professes his love for her; her father and her brother quarrel over her brother's sexual orientation; she thinks about leaving Cuba. Santo's wife Maria is expecting their first child. Tragedy strikes and Santo leaves, drowning sorrows in alcohol and crime while his son grows up in the care of an aunt wondering where dad is. Vivian and Chino are in love, passionate, but childless. The pressures of a society that demands grandchildren strain their relationship.

Amor Crónico follows Grammy-nominated, Cuban-born CuCu Diamantes as she embarks on a whirlwind tour of her home country. Interweaving glamorous live performances with a fictional romance, the film pays tribute to the history of cinema in surreal fashion. Backed by a high energy Latin soundtrack, Cucu's journey is a visual love poem to the sites, sounds, and people of Cuba.

Between 1954 and 1966 there was, in a desert area of Fuerteventura, a Francoist concentration camp known by the euphemistic name of Colonia Agrícola Penitenciaria de Tefía, one of many places where the regime sent those convicted under the Law of Vagos y Maleantes which, from 1954, was implemented to also include homosexuals. In 2004, Airam Betancor was forced to recall the seventeen months of forced labor he endured in the colony.

A lesbian, an aspiring actor, an aspiring singer, a low-class marriage, a neighborhood community and 2 renowned directors have memorable less-than-24-hour-long experiences while living in/visiting the capital of Cuba.

As Havana slowly revolves through the year, wistful detective Mario Conde probes the sultry heart of the city to investigate dark and deadly crimes.