A Victorian-era Toronto detective uses then-cutting edge forensic techniques to solve crimes, with the assistance of a female coroner who is also struggling for recognition in the face of tradition, based on the books by Maureen Jennings.

The best in the performing arts from across America and around the world including a diverse programming portfolio of classical music, opera, popular song, musical theater, dance, drama, and performance documentaries.

Constable Benton Fraser, an officer of the Royal Canadian Mounted Police, is attached to the Canadian consulate but works with Chicago Police Department to solve crimes.

Bizarre nightmares unfold in eight tales of terror in this visually stunning, spine-tingling horror collection curated by Guillermo del Toro.

Jake Doyle and his ex-cop father, Malachy, run a Newfoundland detective agency. Their rugged seaside town never lacks for intriguing cases, and the Doyles don't always land on the right side of the law.

Griffin Conner, a med-school dropout having left in a haze of disgrace, is forced to return to Bethune General Hospital as its newest orderly and work alongside his family.

When a blizzard hits an isolated island town it brings with it a mysterious stranger intent on terrorizing the people for a sinister purpose.

Based on the true story of Grace Marks, a housemaid and immigrant from Ireland who was imprisoned in 1843, perhaps wrongly, for the murder of her employer Thomas Kinnear. Grace claims to have no memory of the murder yet the facts are irrefutable. A decade after, Dr. Simon Jordan tries to help Grace recall her past.

The Hidden Room is an American drama-horror anthology television series. Geared mainly towards women, it aired on Lifetime for 33 episodes from 1991 to 1993. Each episode usually centered around a woman in hardship, but with a dark Twilight Zone-esque twist. Most episodes starred a well-known actress in the lead role.

When a sudden plague of blindness devastates a city, a small group of the afflicted band together to triumphantly overcome the horrific conditions of their imposed quarantine.

This darkly comic Canadian series follows the fortunes of a dysfunctional Shakespearean theatre troupe at the fictional New Burbage Festival, exposing the high drama, scorching battles, and artistic miracles that happen behind the scenes.

Emily of New Moon is a Canadian television series, which aired on CBC Television from 1998 to 2000. The series originally aired in the United States on the Cookie Jar Toons block on This TV and it is currently seen in Canada on the Viva, Bravo! and Vision TV cable channels. The series, produced by Salter Street Films, was based on the Emily of New Moon series of novels by Lucy Maud Montgomery. The series consisted of three seasons of thirteen episodes and one season of seven episodes, for a total of forty-six. The executive producers were Micheline Charest, Michael Donovan, and Ronald Weinberg. The series starred Martha MacIsaac as the titular orphan Emily Starr. Susan Clark and Sheila McCarthy played Emily's aunts Elizabeth and Laura, who had taken on the responsibility of raising Emily following her father's death, and Stephen McHattie played her cousin Jimmy. Susan Clark left the series after the first season when her character, Elizabeth, was killed off. Recurring cast included Chip Ciupka as Mr. Carpenter, Peter Donaldson as Ian Bowles, Richard Donat as Dr. Burnley, Kris Lemche as Perry Miller, John Neville as Uncle Malcolm, Jessica Pellerin as Ilse Burnley, Shawn Roberts as Teddy Kent, and Linda Thorson as Cousin Isabel.

After twenty years in prison, Foley is finished with the grifter's life. When he meets an elusive young woman named Iris, the possibility of a new start looks real. But his past is proving to be a stubborn companion.

French silkworm trader Hervé is married to the beautiful Hélène. When an outbreak of disease ravages European silkworms, Hervé must travel to Japan to retrieve healthy eggs. After a long journey, Hervé finally arrives at a village where he can buy them. He becomes infatuated with a young concubine and goes to great lengths to see her again. But, when war breaks out in Japan, the concubine flees, forcing Hervé to return home to his wife.

Sarah Taylor, a police psychologist, meets a mysterious and seductive young man, Tony Ramirez, and falls in love with him. As a cause of this relationship, she changes her personality when she begins to receive anonymous telephone calls.

Michael, a neurotic young man, sees his therapist David twice a week. David views Michael as an ideal guinea pig for the experimental psychiatric techniques he hopes will turn him into a bestselling pop psychology writer.

Politician Tom McLaughlin watches from the sidelines as Canada relinquishes sovereignty and joins the United States. He refuses to lose his country without a fight, whether it's fair or not.

A young college co-ed tries joining the elite, all-male, secret society, the Skulls, and in so doing, she uncovers some unscrupulous methods used by some of the members to get what they want.

The Canadian contribution to World War Two was extraordinary in scale and variety. More than one million people, out of nation of just eleven million, volunteered to serve. To transform a small, virtually unequipped military into a powerful army, navy and air force was a remarkable achievement. No Price Too High traces Canada's involvement from the prewar years through 1945, explaining the events of the war in the context of the political and military realities of the time. There is none of the second guessing that has characterized so much recent analysis of the war. No Price Too High draws on original sources - personal letters and diary entries, and powerful photographs - to evoke the mood of those momentous years. The thoughts, hopes, dreams, fears, and heartbreaks of the generation of Canadians who faced the war are captured. Produced by Norflicks, No Price Too High chronicles Canada's role in the major events of the war, including The Battle of Britain, Dieppe and D-Day.

Moon Dog is the story of a young woman, estranged from her family, who returns home to fulfill a life-changing pact with her father. This pact is one that changes the very moral code our lives are governed by, but when it comes to family, where is the line?