The Ten Commandments, exact and uncompromising, literally cast in stone, continues to provide a source of moral conflict in contemporary society. In the ten part collection of films, The Decalogue, Krzysztof Kieślowski examines the dilemma of fundamental sin in the lives of ordinary Warsaw citizens.

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Jacek, an angry drifter, murders a taxi driver, brutally and without motive. His case is assigned to Piotr, an idealistic young lawyer who is morally opposed to the death penalty, and their interactions take on an emotional honesty that throws into stark relief for Piotr the injustice of killing of any kind.

Jacek climbs into the taxi driven by Waldemar, tells him to drive to a remote location, then brutally strangles him, seemingly without motive.

Sokor, struggling with an addiction to alcohol, tries to defend a man accused of murdering a hairdresser.

In Zakopane - though really anywhere in the universe - an alien civilization lands seeking help with an intimate problem and awaits their contact, Yrek. When a nosy innkeeper alerts the press upon learning their mission, journalists descend and inadvertently entangle local Polish and Czech gangsters and their tailing agents in a cosmic game of cat-and-mouse, threatening to turn the quiet mountain retreat into the scene of an interplanetary showdown.