A man in his forties has had enough. He leaves his loveless family, uninspiring job and fake friends and tries to find something more. He meets a young woman he falls for, but she puts him on the test.

Five stories that intertwine around a mysterious smartphone that allows you to have a copy of anyone's phone. Just enter the number and you immediately have access to bank accounts, photos, videos, emails, messages, even the most intimate ones, and if you activate the camera in spy mode you can observe the lives of others live. A morbidity that pervades anyone who comes into contact with this phone, in the frantic search for the power to influence the lives of others. Thus begins an escalation of linked events in which, without a moment's respite, we will follow the fate of the phone and of those who come into possession of it. The protagonists of the five episodes must confront their most hidden desires and the (in)ability to manage the power of knowledge.

A man wakes up in a strange place. Peeled walls, a bare, cold and damp room. He doesn't understand where he is. He has severe pain especially in the head, tries to open the door but it's locked, tries to call someone but nobody answers. He is a prisoner. A nightmare begins for him in which he will have to go through a path of understanding to finally get to understand what really happened.

A woman suffering from compulsive-type psychological problems falls for an older divorced neighbour. Will her love be returned? A slow story of confusion and loneliness.

In a parallel universe, live people’s precious consciences. They all feel disheartened, demotivated, and unheard, except for Otto (Francesco Scianna). He is the top-ranked conscience, because his human Filippo (Filippo Scicchitano) follows him blindly, guaranteeing him happiness.

This is the story of Rosario and Matteo, two man from Southern Italy. Rosario is helped by Luigi to settle in the north. Luigi wants to give Rosario a chance to redeem himself and offer him, at the same time, an opportunity to confront his beliefs with the ones of his son Matteo. Rosario lives in a "commune" and Matteo in a beautiful, comfortable house. They're both introverted and shy and find a common ground: they meet, go out together, become friends and show each other a completely different way of living their lives as teenagers.

At 30, Zeno's father dies, and he realizes that his youth is almost over. Meeting Giovanni Malfenti, a succesful gallery owner with four daughters, he's impressed by Malfenti's energy, and falls in love with one of his daughters. This relationship helps Zeno find peace and direction.

No synopsis available yet.

On 26 February 2023, a boat - an old wooden gulet - sank in Steccato di Cutro, in the province of Crotone, Calabria. Inside the boat, which left Izmir, Turkey, on February 21, there were over 180 human beings, mostly of Afghan, Pakistani, Syrian, Turkish, Somali and Iraqi origin. Women, men and children. The shipwreck claimed the lives of 94 migrants, including 34 minors. The number of missing was unknown... The boat, 150 meters from the shore, surrendered before the violence of the waves and the sharp points of the rocks. Who are the victims and survivors of the shipwreck? They are individuals who have fled their lands for a series of causes: armed conflicts, persecutions (of a religious or gender nature), poverty, climate change, the right to aspire to a better existential path, the need to rediscover dignity, to work, to study and to raise a family.

No synopsis available yet.

A cinic director and his assistant come back to Basilicata, their homeland, looking for redemption. 50 years aged and aristically loser, they try to shoot a rickety investigative movie titled "Il Vangelo secondo Mattei" in the same location where Pasolini filmed his "The Gospel According to St. Matthew" but focusing on the disasters caused by oil extractions in their wasteland of Basilicata, in the south of Italy. As main character, they choose Franco, 70 years old, that was an extra in Pasolini film...

No synopsis available yet.

Interview with film director Riccardo Freda.