Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

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Series written by Christiane Sadlo about writer and journalist under the pseudonym "Inga Lindström" and her family. Characterized by impressive landscapes, all of which are shot on location in Sweden. Series has no continuous storyline, and each episode is filled with new characters.

Practical semester at the Halle/Saale Police College: Finally out of the seminar rooms and into real life - which for the students means: real murder cases. With the support of their trainers in the homicide squad, they will have to solve this. The beginners sometimes overshoot the mark, make mistakes and have to learn new things on their way to becoming fully qualified detectives. In each episode, a case between the university and real life is dissected, discussed and solved, while the private complications of the students, lecturers and trainers are not neglected.

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As the plague decimates medieval Europe, rumours circulate of a village immune from the plague. There is talk of a necromancer who leads the village and is able to raise the dead. A fearsome knight joined by a cohort of soldiers and a young monk are charged by the church to investigate. Their journey is filled with danger, but it's upon entering the village that their true horror begins.

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In April 1991, Detlev Rohwedder, the head of Treuhand, the East German Privatization and Restructuring Agency, was assassinated in Dusseldorf. This documentary details the strange evidence recovered.

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Two twin brothers are living on a different sides of Berlin Wall after being separated after birth.

Sports writer Mark is baffled when he receives romantic text messages on his cell phone. What he does not know: His new number once belonged to the deceased boyfriend of Clara, who continues to send text messages in order to cope with the loss. When Mark's girlfriend discovers the texts, she is understandably upset. Along with his best friend David, Mark sets out to find the mysterious writer.

An international group of medical students takes part in a seminar on fear - with deadly results.

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A love connection clicks for Lila when she moves back to Berlin and meets Christopher -- never realizing that she's fallen for a rock star who's signed a contract to remain single for life.

Jerry Cotton is the best agent of the FBI and suspected of murder. So he has to find the real killers from gangster boss Serrano.

Bank manager Frank and writer Patrizia meet by coincidence again and again at the airport. They commute between Dusseldorf and Paris, but behind their travels are two fateful stories. Frank wants to complete the business of his life, Patrizia visits her lover, who is in a coma since a car accident. For both life comes out of joint and they each suffer heavy losses. What connects them is the search for hold, a listener, the need to be needed and the hope that there is a beginning in each end.

Nina Wenzel used to be an undercover agent. After her sister's death five years ago Nina gets child custody of the three orphans and quits her dangerous job. In her new family-life she manages to retain some of her skills. When Wolf Geiger, the last person Nina imprisoned, escapes, Nina's old skills are needed again.

Til, Sinan and Bramstedt rave about a music career and their dream woman, the pretty Lisa from school. But it's hard to get to, because she's preparing with her friends from the DLRG group for a lifeguard mission on Sylt. But when Bramstedt knocked out the Beach Boys with alcohol, Lisa had no choice but to take the three boys to Sylt. But everything fails on the North Sea island.

Sophie and Georg once loved each other, but now they have split up. Almost the entire film takes place in front of the same doorway in Berlin. In an elliptical way, the individual scenes portray a family for whom the word patchwork is the new normal — and take a laconic look at the everyday irrationalities of love.