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Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.

Everyone in Marco's life seems constantly restless, from his brilliant but unhappily married parents to his own wife Marina, or even Luisa, the real love of his life, a girl he met during a fateful summer in the '70s and always stayed in touch with. Tragedy and fate seem to haunt him, yet he somehow manages never to get ensnared in the chaos—like his namesake, “the hummingbird”, he focuses all his energy at standing still.

The newly elected Pope suffers a panic attack just as he is about to greet the faithful who have gathered to see him. His advisors, unable to convince him he is the right man for the job, call on a renowned therapist who also happens to be an atheist. But the Pope's fear of his newfound responsibility is one he must face alone. Winner Best Film at the Italian Golden Globes.

"Cinema of Our Time" is a documentary series about contemporary filmmakers from around the world, created by Janine Bazin and André S. Labarthe, as a follow-up to the acclaimed initial series "Filmmakers of Our Time" (1964-1972).

Nanni Moretti recounts in his diary three slice-of-life stories marked by a dry, ironic gaze: in the first, he rides his Vespa through a deserted, sun-drenched summertime Rome; in the second, he visits a reclusive friend on an island, who ropes him into an impromptu journey between islets in search of quiet; and in the last, he finds himself grappling with an unknown illness.

Follows the lives of three families who live in a three-story building in a Roman neighbourhood.

An old film director, unhappy with the movie he's shooting about a Hungarian circus stranded in Rome during the 1956 anti-Soviet uprising, faces divorce from his producer wife and other problems.

The true story of the life of Gavino Ledda, the son of a Sardinian shepherd, and how he managed to escape his harsh, almost barbaric existence by slowly educating himself, despite violent opposition from his brutal father.

A psychoanalyst and his family go through profound emotional trauma when their son dies in a scuba diving accident.

Margherita, a director in the middle of an existential crisis, has to deal with the inevitable and still unacceptable loss of her mother.

A look at Fellini's creative process. In extensive interviews, Fellini talks a bit about his background and then discusses how he works and how he creates. Several actors, a producer, a writer, and a production manager talk about working with Fellini. Archive footage of Fellini and others on the set plus clips from his films provide commentary and illustration for the points interviewees make. Fellini is fully in charge; actors call themselves puppets. He dismisses improvisation and calls for "availability." His sets and his films create images that look like reality but are not; we see the differences and the results.

After the coup d'État of the Democratic government of Allende, the embassy of Italy in Santiago played a major role in helping the opposers of the regime, and extradited many of them to Italy.

Michele is an MP for the Italian Communist Party who loses his memory in a car crash, though hardly anyone around him seems to notice. During a crucial water polo match on the eve of election day, he gradually begins to remember his past life, revealing a man whose personal and political identity crisis mirrors that of Italian communism itself.

Pietro is a successful businessman with a wife and a daughter. One day he helps his brother save two women from drowning at the beach. When he returns home he finds that his wife has died. Now Pietro has to take care of his daughter, Claudia. When he drives her to school soon after, he decides to wait for her all day in front of the school, and soon that's what he does every day.

A documentary about the Italian cinema as art form and industry.

At the 60th anniversary of Cannes Film Festival, 34 famous directors are followed by camera.

Michele, a young mathematics professor, moves into a new flat. Lonely, depressed and neurotic, he spends his time obsessively monitoring the couples around him, especially his neighbors, a young pair struggling to make their relationship work. When Bianca, a new teacher at the local high school, enters his life, Michele finds himself falling in love. At the same time, a string of murders rocks the neighborhood, casting suspicion on him.

Young Father Giulio returns to Rome, where he was born and raised, to replace a priest who has left the clergy to start a family. He is delighted to reunite with his loved ones, especially his mother, sister, and old friends. Once radical leftists like Giulio himself, the latter are now each coping in their own way with the defeat of the revolution. Soon, however, Giulio realizes that despite his best efforts, he seems unable to solve the problems troubling those around him.

Nanni Moretti once again muses on the ebb and flow of life in April 1996, as he is about to become a father for the first time and finds himself unable to focus on his documentary about the upcoming general elections, where the left is heading into a rematch against Berlusconi.