In 1930s Australia, Anglican clergyman Anthony Campion and his prim wife, Estella, are asked to visit noted painter Norman Lindsay, whose planned contribution to an international art exhibit is considered blasphemous. While Campion and Lindsay debate, Estella finds herself drawn to the three beautiful models sitting for the painter's current work, freethinking Sheela, sensual Pru and virginal Giddy.

Dr Terrible's House of Horrible is a satirical British comedy-horror anthology series created by Graham Duff, who co-wrote the series with Steve Coogan. Spoofing the British horror films of Amicus, Hammer, and Tigon, the title parodies Amicus' 1965 anthology film Dr Terror's House of Horrors. Coogan presents each episode as the titular Dr Terrible, and plays the lead in each story.

A behind-the-scenes documentary on the making of "Dr. Terrible's House of Horrible" featuring Steve Coogan.

The trials and tribulations of the Goddard family after the entry of Australia into the Vietnam War.

Bert Deling's surreal, button-pushing and hallucinogenic paean to the emerging possibilities of avant-garde and homemade filmmaking. Telling the tale of a violent ex-cop searching for the man who killed his partner, the film takes an unexpected turn when he encounters drug lord Plastic Man and a tribe of LSD enthusiasts. What follows is both literal and metaphorical mayhem as the boundaries of the film start collapsing and our idea of what's real is pushed to its very limits.

Businessman Gerald Barker is invited to join a mysterious super corporation known as The Firm. His work in the organisation turns out to be of a unique and somewhat disturbing nature. But Gerald finds no comfort with his wife Melissa and friend Barry - his relationships with both collapse. In a surreal and strange fashion, Gerald eventually comes to understand what The Firm is about. Made on a tiny budget of $15,000 the film is a mix of naturalism and stylisation which the filmmaker hoped would work on 'a simple, surrealistic level'.

This self-funded verité comedy starring John Duigan is something of a swan song for the “Carlton ripple” and reflects the movement’s characteristic vacillation between intensely local and distantly international influences.

Kevin leaves a job in insurance to start his own magazine. As his debts mount, Kevin’s prospects begin to look brighter in the criminal world.