Adventure comedy directed by Bruno Corbucci.

A grizzled ex-sheriff helps a man framed for murder to confront the powerful trio of brothers who want him dead.

Stefano Augenti, an ambitious advertising executive, meets a curious hippie named Count Mateo Tiepolo and they form a strange bond. Seeking an escape from his unhappy marriage, Augenti is lured by the Count into a bizarre plot to kill each other's relatives.

When women were called Madonna is a film of 1972 directed by Aldo Grimaldi . The film is one of the first Italian erotic comedies in which a licentious bursting Edwige Fenech struggles with the nagging demands of three suitors.

The story of fish-monger Nino of Rione Borgo. Nino is in love with Rosa but he always manages to postpone their wedding.

Rubina arrives in Rome from the high mountain in search of her boyfriend Carlo, who refuses to keep her word of marriage, in view of which she falsely accuses him of having raped her and the boy is imprisoned. Rubina is placed as a maid in David's house. David who has a bizarre family runs a boutique with his son Leo. She soon becomes a clerk in the store, where she conquers everyone, and marries Leo. She will have various sexual experiences. But she gets pregnant by her boyfriend who has since been released from prison.

A mental hospital somewhere in Tuscany during the thirties. Far away from fascism, this closed world is rules over by Dr. Bonaccorsi, a passionate benevolent psychiatrist whose dream is to isolate the germ of madness. He is also a very active ladies'man and makes three women benefit from his sexual itch: Francesca the hospital manager's wife, Bianca, his devoted nurse and Carla, a nymphomaniac doctor's wife. His well-ordered universe starts being challenged with the coming of Anna, a trainee psychiatrist, who disapproves of his theory on the origin of madness. Worse, she resists his advances. As Bonaccorsi is more insecure than he looks, what will become of him?

A tough, violent cop who doesn't mind bending the law goes after a machine-gun-carrying, hunchbacked psychotic killer.

Vincenzo 'hunchback' plans a robbery on a armored police van with his gang. Once the job is done, his gang try to kill him and absconds with the loot. Vincenzo hides in the sewers before looking up his friend Monezza who the police later interrogate for his involvement with vincenzo. Meanwhile, Vincenzo is getting revenge on his gang by killing them off one at the time in his various brutal ways.

In the distant future, a spaceship inhabited by a group of young descendants of a "subversive" minority who escaped the destruction of the Earth, recovers a capsule in which the hibernating body of a reactionary warmonger has been preserved, who after having caused war and death, it has abandoned the now unlivable Earth. The visual experimentation aimed at the liberation of the gaze is intertwined with psychedelic visions on the one hand and with the orgone theory of Reichian memory on the other.

A funk is believed to be a tough guy because of a magic bowler hat which gives him courage and strength.

A shoot out after a robbery ends with the death of the Chief of Police. Police detective Ghini goes in search of a suspect, Lanza, to avenge the death of his boss. Ghini's search leads him to Belli, a Sicilian gangster and 'Trashy', the dirty leader of a gang of killers. The action is violent as both police and criminals track down Belli who still finds some time to attempt a couple of robberies...

In Luino, on Lake Maggiore, during the fascist twenty years, a group of friends belonging to the bourgeoisie spend the nights in the underground gambling den of the Metropolitan Hotel between poker games, gossip, manly goliards and escapades to the house of tolerance.

Rome, early 1900s. Gigi, a young populace, falls in love with the rich Mara and, to satisfy the woman's desires, begins to steal.

A (temporary) leave of many friends who are my truest world, with the attempt of getting them together in an ideal summary conceived to support me during my being far away. –A. L.

A Milanese industrialist goes to Rome to bribe a politician but he loses money. A thief helps him recover them. Milan and Rome in comparison in the duets of the couple Pozzetto-Milian.

In this film, as in all my previous ones, there is a direct connection between inner urges and cinematic rendering. I tried to visualize my present aspiration to recover, through the various ways taught by one’s experience, the easiness, directness and ripeness proper to children’s relationships and affective life. This film is maybe a track of this path backwards. – A. L.