Stories about people who get into problems who use the help of Virgin Mary and where a rose appears and their problems are solved.

Porque el Amor Manda is a 2012 Mexican telenovela produced by Juan Osorio for Televisa. It is a remake of the Colombian telenovela El secretario, produced by Juan Andrés Flórez in 2011. Fernando Colunga and Blanca Soto star as the protagonists Claudia Álvarez stars as the antagonist.

An American priest working in Mexico is considered a saint by many local parishioners. However, due to a botched exorcism, he carries a secret that’s eating him alive until he gets an opportunity to face his demon one final time.

Triángulo is a Mexican telenovela produced by Ernesto Alonso for Televisa and originally broadcast on Canal de las Estrellas from August 3 to November 20, 1992. Created by María Zarattini and adapted by Irma Ramos, the telenovela stars Daniela Castro and Eduardo Palomo. The story follows Sara Granados, a kind-hearted young woman who is constantly mistreated by her stepmother and stepsister. After being deceived by the ambitious David and becoming pregnant, Sara finds support in his brother Iván, who falls in love with her. As David returns determined to reclaim her, the three become entangled in a love triangle marked by family conflicts, betrayal, and the search for happiness.

Felino, his girlfriend and his two friends, have their film rejected from every film festival, so they decide to submit it as major filmmaker Tomas Guevara latest film.

Sent to Mexico to help take care of aging Father Benito, young Father Amaro faces a moral challenge when he meets a 16-year-old girl who he starts an affair with. Likewise, the girl's mother had been having an affair with Father Benito. Father Amaro must choose between a holy or sinful life.

The final years of Jose Maria Morelos y Pavon (1812-1815), leader in the Mexican war for independence who, after outsmarting Calleja´s blocade in Cuautla, reorganized his troops and took the city of Oaxaca. However, with more than half the territory of Mexico in his hands, Morelos was determined to take the port of Acapulco while the royalist troops gained ground. It shows the relationship of Morelos with his lieutenants, his efforts to create institutions of his own and a disciplined army to confront the royalist troops. The film captures the two inseparable facets of the life of this Mexican hero: his contradictions and his passions.

Manolo has decided to end his life and needs assistance. He has convinced Esmeralda, the caretaker of his hacienda, under the promise of leaving her the resources she needs to go live with her daughter and granddaughter in Baltimore. She only has one condition. She will not do anything unless Father Pablo vows to hear her confession after the act. Pablo decides to stay in the hacienda indefinitely, to impede them from doing anything. But he hardly does anything himself - and his time with Esmeralda will make him confront with his sense of goodness, and to check his pride and dogma, and the love he never found for his father.

The fictional Father Ángel de la Cruz is based on Legion of Christ founder Marcial Maciel, whose long history of child abuse was not addressed until 2006 and only publicly acknowledged in 2009. But director Luis Urquiza chooses to structure his film through the largely uncomprehending, wondering eyes of 13-year-old Julián, who travels from the arms of his loving pastoral family into the austere, hallowed halls of the seminary. Singling out the boy as his intimate disciple, installing him in his palatial private quarters and redubbing him “Sacramento Santos,” Father Ángel begins Julian’s instruction into the mysteries of “perfect obedience,” whose cardinal rule is: Never question a superior’s actions.

On his 17th birthday, a boy named Michael has a surprise party thrown by his friends, where a session with a Ouija board accidentally unleashes a demon named Virgil, who possesses one of them to go on a killing spree. Michael, now plagued by violent nightmares and premonitions, sets out to try and stop the killings.

From his jail cell at Chihuahua's Military Hospital, Hidalgo begins to remember moments of his life, particularly his tenure as Parish Priest in the town of San Felipe Torres Mochas where he translated and produced the stage play "Tartuffe" by Moliere. During this time he fell in love with Josefa Quintana with whom he had three children and for whom he left the priesthood during a brief period in his life.

In 1824, John McGee, an English adventurer, arrived in the Soconusco area of Chiapas with his young wife. There, they sought to fulfill their dream of prosperity and become the first producers of coffee. Upon reaching Chiapas, they discovered that the state had seceded from the rule of Guatemala, plunging into an interim and anarchic government that lasted for 18 years. During this time, John saw his dream frustrated and was forced to seek refuge at his own farm under the protection of the clergy. The dowry of his daughter Isabel becomes his last chance to make his dream come true, as he negotiates with Geronimo and Julian, sellers of coffee plants and slaves, respectively. In the midst of the beauty and hostility of the jungle, a story of love and betrayal emerges, framing the arrival of coffee to Chiapas.

Rodrigo Zaracho, once a promising boxer, is in decline. While fleeing from a gang that is chasing him, he remembers his past.

A soldier of fortune fights drug runners in Central America.

Coca leaves making their way from Peru to Downtown Los Angeles.

Los Internationals is a more serious Latino take on the Expendables and the A-Team, that will feature a team of all Spanish speaking characters who represent different parts of South America and the Caribbean. The film will be fun and have lots of heart but will also take a closer look at real violence in our society and the glorification of it in video games; comparing the two to show the vast contrast and its true impact on our children.

A novelist travels to the country to learn the problems of a friend's shy son and runs into an intruder.

After an all-nighter, Ricardo gets to his apartment only to find his family ready to have an intervention for him. His struggle with addiction is the least of his problems in this peculiar event where he faces his drug dealer, a prostitute and the worst company of all: his family.