Clem follows the life of a young teenager, Clémentine, who becomes a mother at the age of sixteen, at the centre of tensions between her parents and Julien, the father of her child Valentin. It deals with the problems of teenage life and that of a mother with a strong personality.

The series follows the adventures of lighthearted Jean-Paul Moulin, a police Commissaire, and his team as they solve crimes.

The Venus Beauty Institute is opening up once more for our very great pleasure and well-being. New management, new staff and new clients. Also Venus now welcomes Apollo into her temple. Let’s make an appointment! In the snug, scented universe of the treatment rooms, confidences are exchanged, whispered or yelled while, outside, clouds and seasons pass by, carrying off with them crumbs of life. A comedy in pink and blue! Laughter, tears, intimate secrets and emotions mingle with the odour of hot wax, foutain-of-youth creams and other paraphernalia.

Following the May 1968 civil unrest in France, two theater groups rehearse plays by Aeschylus while two solitary individuals wander the Parisian streets hustling the populace for cash.

In 1950s France, a free-spirited woman trapped in an arranged marriage falls in love with an injured veteran of the Indochinese War.

Delphine is the author of an autobiographical novel that has become a bestseller. Exhausted by the promotional tour, just when she feels out of place, paralyzed by the idea of having to start writing again, she meets Elle, a young, attractive, intelligent, intuitive woman who seems to understand her better than anyone.

A French-language anthology of seven famous, fantastic, and psychological stories by beloved American author Henry James.

A middle-class family flees an unspecified disaster that has struck the city and takes refuge in their country home. They think this will allow them to escape the chaos, but they soon realize that getting away won’t be so easy.

Stephanie is a hostile and mute newcomer in a home for troubled minors. She disorients the staff. Louise, a young educator, is determined and determined to overcome the aggressiveness of the girls, who give her a hard time. She gets caught up in the game and oversteps her role, triggering the teenager to act out in unexpected ways.

Olivier, the nine-year-old son of Elisabeth and Serge, a country veterinarian, vanishes one afternoon on the way to his grandmother's house. The emotional aftermath of his disappearance sends his father packing and nearly destroys his mother.

The municipality of a small Breton village has decided to welcome a family of Ukrainian refugees. To their surprise, they receive Fayad family – coming from Syria. They thwart all the clichés that the French expected: they are friendly, refined, educated… So much so that, in this small, humming village, it is no longer clear which side the barbarians are on…

Julien Monnier has a serious problem. Though he's a brilliant couples counselor, he can't keep a woman in his life for more than two weeks. Indeed, ever since his childhood, Julien jinxes every woman who falls in love with him. But it's not just any small jinx. It's the kind that sends you to the hospital several times a week, that destroys your professional life or that turns your friends into enemies. Julien is strictly speaking a true black cat for women. Joanna Sorini will soon learn this at her expense the day she meets him. A career that's just taking off, a love life that finally seems to be taking a good turn, all that may just change.

Aging beautician Angèle, already wounded by a long-ago romance, gets awkwardly dumped at a train station. Witnessing how she turns around a humiliating situation, younger sculptor Antoine becomes so smitten that he breaks up with his fiancée and sets out to win Angèle's heart. Meanwhile, Angèle attempts to quash the budding romance of her young co-worker, Marie, and a much older widowed client, despite their obvious rapport.

Professor Henri Laborit uses three people's stories to discuss behaviourist theories of survival, combat, rewards and punishment, and anxiety: René is a technical manager at a textile factory and must face the anxiety caused by corporate downsizing; Janine is a self-educated actress/stylist who learns that the wife of her lover is dying and must decide to let them reunite; and Jean is a controversial career-climbing writer/politician at a crossroads in life.

Twenty years ago, Robert left his home in the provincial northern town of Boulogne to make it as an actor. His career never amounted to much, as he managed only a couple of acting jobs on TV. Without warning, he returns to his hometown and drops in on his sister who is in the throes of a sordid affair with her married boss. Later, Robert drops in on his younger brother, who lives with his elderly mother. As the film progresses, it quietly, sensitively depicts Robert's disruption of the lives of the members of his family.

Erwan, a strapping Breton who clears mines for a living, is shaken when he discovers that his father is not his father. Despite his affection for the man who raised him, he quietly sets out to find his biological father, and succeeds in locating Joseph, an endearing old codger he takes a liking to. Just when things look settled, another unexpected “bomb” hits Erwan in the form of Anna, an elusive nymph.

A look at 18th-century France, when the depravity of the authorities contributed to social oppression, and the uprisings flared up one after another.

Ismael and Julie, in the hope of sparking their stalled relationship, enter a playful yet emotionally laced threesome with Alice. When tragedy strikes, these young Parisians are forced to deal with the fragility of life and love. For Ismael, this means negotiating through the advances of Julie's sister and a young college student – one of which may offer him redemption.

Is there such a thing as strictly feminine cinema? Is it more difficult for a woman than for a man to direct a film? Is gender parity necessary in the industry? Actress and producer Julie GAYET and actor and director Mathieu BUSSON ask these questions to twenty French woman filmmakers, who face a camera together for the first time. After over an hour of lively, informal, spontaneous and funny interviews, it becomes obvious that these issues are still problematic and definitely worthy of a documentary. As Mia HANSEN-LØVE remarks, “In the eyes of the people, a woman’s film is always a woman’s film, while a man’s movie is simply… a movie”.

Four childhood friends are reunited at a wedding in Rio. But when they accidentally kill a young man during a party that gets out of hand, they are forced to flee the city in a crazy adventure.