Play for Today is a British television anthology drama series, produced by the BBC and transmitted on BBC1 from 1970 to 1984. During the run, more than three hundred programmes, featuring original television plays, and adaptations of stage plays and novels, were transmitted. The individual episodes were between fifty and a hundred minutes in duration.

A quirky spy show of the adventures of eccentrically suave British Agent John Steed and his predominantly female partners. Jonathan Steed - an urbane, proper gentleman spy - teams with various assistants throughout the series' run, including Dr. David Keel, Cathy Gale, Emma Peel and Tara King, to repeatedly save the world from diabolical schemes plotted by equally diabolical evil-doers (among them robots and man-eating monsters).

Simon Templar is The Saint, a handsome, sophisticated, debonair, modern-day Robin Hood who recovers ill-gotten wealth and redistributes it to those in need.

Laugh along with funnyman Jack Benny as he brings his underplayed humor to TV along with regular performers from his radio show days.

Danger Man is a British television series which was broadcast between 1960 and 1962, and again between 1964 and 1968. The series featured Patrick McGoohan as secret agent John Drake. Ralph Smart created the programme and wrote many of the scripts. Danger Man was financed by Lew Grade's ITC Entertainment.

Jack Regan, an unethical officer of the Flying Squad, uses unorthodox methods to pursue criminals with the help of his partner, George Carter.

Sunday Night Theatre was a long-running series of televised live television plays screened by BBC Television from early 1950 until 1959. The productions for the first five years or so of the run were re-staged live the following Thursday, partly because of technical limitations in this era, and the theatrical basis of early television drama. Some of the earliest collaborations between Rudolph Cartier and Nigel Neale were produced for this series, including Arrow to the Heart and Nineteen Eighty-Four. The Sunday night drama slot was subsequently renamed The Sunday-Night Play which ran for four seasons between 1960 and 1963. ITV transmitted its own unrelated run of Sunday Night Theatre between 1971 and 1974.

The Troubleshooters is a British television series made by the BBC between 1965 and 1972, created by John Elliot. During its run, the series made the transition from black and white to colour transmissions. The series was based around an international oil company – the "Mogul" of the title. The first series was mostly concerned with the internal politics within the Mogul organisation, with episodes revolving around industrial espionage, internal fraud and negligence almost leading to an accident on a North Sea oil rig.

Softly, Softly: Task Force is a police based drama series which ran on BBC 1 from 1969 to 1976. It was a revamp of Softly, Softly, itself a spin-off from Z-Cars. The change was made partly to coincide with the coming of colour broadcasting to the BBC's main channel BBC1. The programme was due to be called simply Task Force, but reluctant to sacrifice a much-loved brand the BBC compromised this so it became Softly, Softly: Task Force.

12 American military prisoners in World War II are ordered to infiltrate a well-guarded enemy château and kill the Nazi officers vacationing there. The soldiers, most of whom are facing death sentences for a variety of violent crimes, agree to the mission and the possible commuting of their sentences.

World War II is raging, and an American general has been captured and is being held hostage in the Schloss Adler, a Bavarian castle that's nearly impossible to breach. It's up to a group of skilled Allied soldiers to liberate the general before it's too late.

A misfit group of World War II American soldiers goes AWOL to rob a bank behind German lines.

Pulled from actual case histories and utilizing newsreel and documented narratives, the activities of spies from various countries are depicted as far back as the American Revolution and as recent as the Cold War.

Chief Inspector Jacques Clouseau is dead. At least that is what the world—and Charles Dreyfus—believe when a dead body is discovered in Clouseau's car after being shot off the road. Naturally, Clouseau knows differently and, taking advantage of not being alive, sets out to discover why an attempt was made on his life.

The series adapted for television some true tales from press correspondents from around the world.

In the fictional European country of Amalia, the political interests of the British, American and Communist espionage communities are explored. Eschewing the action formula of its ITV contemporaries, the series dealt more politically oriented plots such as defections to the west, awakening "sleeper" agents and the leaking of official secrets.

The story of the breakout of the German battleship Bismarck—accompanied by the heavy cruiser Prinz Eugen—during the early days of World War II. The Bismarck and her sister ship, Tirpitz, were the most powerful battleships in the European theater of World War II. The British Navy must find and destroy Bismarck before it can escape into the convoy lanes to inflict severe damage on the cargo shipping which was the lifeblood of the British Isles. With eight 15 inch guns, it was capable of destroying every ship in a convoy while remaining beyond the range of all Royal Navy warships.

Follows the lives of British expatriates living on the island of Crete, where their secrets will soon rise to the surface.

The Errol Flynn Theatre is a short-lived anthology series presented by Errol Flynn, who would also play the lead in every fourth show. His then-wife Patrice Wymore and son Sean also made appearances. It was shot in England at Bray Studios but was made for the American market.

"A World of His Own" is the title of a British comedy television series starring Roy Kinnear and Anne Cunningham, which aired on the BBC in 1964 and 1965. It was created as a vehicle for Kinnear, who played an absent-minded dreamer named Stanley Blake. The series ran for 13 episodes which all are believed to be lost.