Follow the intergalactic adventures of Capt. Jean-Luc Picard and his loyal crew aboard the all-new USS Enterprise NCC-1701D, as they explore new worlds.

An unassuming mystery writer turned sleuth uses her professional insight to help solve real-life homicide cases.

The story about a blue-collar Boston bar run by former sports star Sam Malone and the quirky and wonderful people who worked and drank there.

A fictional group of ex-United States Army Special Forces personnel work as soldiers of fortune while on the run from the Army after being branded as war criminals for a "crime they didn't commit."

Hunter is an American police drama television series created by Frank Lupo, and starring Fred Dryer as Sgt. Rick Hunter and Stepfanie Kramer as Sgt. Dee Dee McCall, which ran on NBC from 1984 to 1991. However, Kramer left after the sixth season to pursue other acting and musical opportunities. In the seventh season, Hunter partnered with two different women officers. The titular character, Sgt. Rick Hunter, was a wily, physically imposing, and often rule-breaking homicide detective with the Los Angeles Police Department. The show's main characters, Hunter and McCall, resolve many of their cases by shooting dead the perpetrators. The show's executive producer during the first season was Stephen J. Cannell, whose company produced the series.

A realistic glimpse into the daily lives of the officers and detectives at an urban police station.

Louie De Palma is a cantankerous, acerbic taxi dispatcher in New York City. He tries to maintain order over a collection of varied and strange characters who drive for him. As he bullies and insults them from the safety of his “cage,” they form a special bond among themselves, becoming friends and supporting each other through the inevitable trials and tribulations of life.

The domestic adventures, misdeeds and everyday interactions of five families living on a cul-de-sac in a small California community.

A long-running dramedy centering on the Winslow family, a middle-class African American family living in Chicago, and their pesky next-door neighbor, ultra-nerd Steve Urkel. A spin-off of Perfect Strangers.

L.A. Law is an American television legal drama series that ran for eight seasons on NBC from September 15, 1986, to May 19, 1994. Created by Steven Bochco and Terry Louise Fisher, it contained many of Bochco's trademark features including a large number of parallel storylines, social drama and off-the-wall humor. It reflected the social and cultural ideologies of the 1980s and early 1990s, and many of the cases featured on the show dealt with hot-topic issues such as abortion, racism, gay rights, homophobia, sexual harassment, AIDS, and domestic violence. The series often also reflected social tensions between the wealthy senior lawyer protagonists and their less well-paid junior staff. The show was popular with audiences and critics, and won 15 Emmy Awards throughout its run, four of which were for Outstanding Drama Series.

Former 1960s flower children Steven and Elyse Keaton raise their conservative son Alex, daughters Mallory and Jennifer, and later, youngest child Andrew.

Thrifty, folksy and cantankerous, Matlock charges a premium for his services but is worth every penny: This renowned attorney, always clothed in his trademark light-gray suit and driving his signature Ford Crown Victoria, has an uncanny knack for finding overlooked clues and exposing murderers in dramatic courtroom scenes.

During an experiment gone bad, radiation turns a scientist into a raging green behemoth whenever he becomes agitated. Unable to control his transformations, David Banner searches for a cure as he crosses the country, fugitive-style, with a dogged tabloid reporter on his trail.

A former professional baseball player, along with his preteen daughter, moves into New York advertising executive Angela Bower's house to be both a housekeeper and a father figure to her young son. Tony 's laid-back personality contrasts with Angela's type-A behavior.

This 1980s revival of the classic sci-fi series features a similar style to the original anthology series. Each episode tells a tale (sometimes two or three) rooted in horror or suspense, often with a surprising twist at the end. Episodes usually feature elements of drama and comedy.

Scarecrow and Mrs. King is an American television series that aired from October 3, 1983, to May 28, 1987 on CBS. The show stars Kate Jackson and Bruce Boxleitner as divorced housewife Amanda King and top-level "Agency" operative Lee Stetson who begin a strange association, and eventual romance, after encountering one another in a train station.

The trials of a U.S. Army platoon serving in the field during the Vietnam War.

Laura Holt, a licensed private detective, opens a detective agency but finds that potential clients refuse to hire a woman, however qualified. To solve the problem, Laura invents a fictitious male superior whom she names Remington Steele. Through a series of events that unfold in the first episode, "License to Steele," a former thief and con man, whose real name is never revealed, assumes the identity of Remington Steele. Behind the scenes, Laura remains firmly in charge.

Hardcastle and McCormick is an American action/drama television series from Stephen J. Cannell Productions, shown on ABC from 1983 through 1986. The series stars Brian Keith as Judge Milton C. Hardcastle and Daniel Hugh Kelly as ex-con and race car driver Mark "Skid" McCormick. The series premise was somewhat recycled from a previous Cannell series, Tenspeed and Brown Shoe.

Houston Knights is an American crime drama set in Houston, Texas. The show ran on CBS from 1987 to 1988 and had 31 episodes. The core of the show was the partnership between two very different cops from two different cultures. Chicago cop Joey LaFiamma, played by Michael Paré, is transferred to Houston after he kills a mobster from a powerful Mafia family and a contract is put out on him. Once there, he is partnered with Levon Lundy, played by Michael Beck, the grandson of a Texas Ranger. Although as different as night and day, and after a rocky beginning they form a successful partnership and become friends. This is aided to a certain extent by an event where a hitman from Chicago who holds the contract to shoot La Fiamma arrives in Houston and is ultimately killed by Lundy. During the series, it is revealed that both La Fiamma and Lundy have their own personal demons; La Fiamma's Chicago police partner had been killed when he went ahead while La Fiamma had waited for backup to arrive. Lundy's wife had been killed by an explosion that was intended to kill him.