The adventures of a blind, gambling masseur and master swordsman. Zatoichi targets a yakuza-controlled village, because war with a neighbouring town's smaller gang is brewing.

In the early 18th-century, Lord Takumi-no-kami Asano, feuding with Lord Kira, tries to kill his opponent in the corridors of the Shogun's palace. The Shogun sentences Asano to seppuku and deprives the palace and lands from his clan, but does not punish Kira. Asano's vassals leave the land and his samurais become ronin and want to seek revenge against the Lord's dishonour. But their leader Kuranosuke Oishi seeks to restore the Asano clan with his brother Daigaku Asano. One year later, the Shogun refuses, and Oishi and 46 rōnin are out for revenge.

Returning to the village where a year before he had killed Hirate, a much-admired opponent, Zatoichi encounters another swordsman and former rival in love.

No synopsis available yet.

Nishina Saburouta is powerful but corrupted priest. One night, an old samurai who couldn't bear him any more, attempts to kill him, but without success. Saburouta is rescued by his niece, Keisuke at the last moment. Keisuke is a a good-for-nothing. Since that event, he always turns to his uncle when he needs money. Recently Keisuke feels his uncle isn't as generous as he used to be, he suspects that Saburouta has found out the illicit relation between Keisuke and his uncle's young mistress, Ohasu.

In Osaka's slum, capricious folks without futures engage in pilfering, assault and robbery, prostitution, and the trading of ID cards and blood.

Second movie in the yoidore hakase serie

The tale of a feudal swordsman who cynically takes no responsibility for anything, relegating it to others, and then taking the credit.

A story loosely based on the affair between Empress Kōken-Shōtoku and the monk Dōkyō, set during the Nara period (710–794 A.D.).

Iemon Tamiya is an impoverished masterless samurai who craves a better life, which he cannot have because of his marriage to Oiwa, who is completely devoted to her husband.

During the 17th Century roving bands of hatamoto were causing trouble in the new capital city of Edo and constantly fought with the townspeople at every turn. The leader of these ruthless samruai was Mizuno Jirozaemon, who despite his high rank was in deep financial distress, thus leading to a tragedy that shook the very streets of the city.Opposing him was Banzui-in Chobei, the ‘Protector of the Weak’ who was willing to put his life on the line to save the 808 districts of Edo from the 80,000 hatamoto whose violent behavior threatened to destroy the fabric of society. Starring Bando Tsumasaburo, the first great star of the silver screen along with mega-star Ichikawa Utaemon, this is a story not to be missed. Torn from the pages of history, this true story has been told many times, but never as powerfully as this!

Watanabe Kazuma and Kawai Matagorō from the Bizen Okayama Ikeda clan were close friends, but they inevitably became enemies after Matagorō killed Kazuma's younger brother, Gentayū, and fled. Seeking assistance, Kazuma asked his brother-in-law, Araki Mataemon, for help, but Mataemon refused, saying that it was against the code for a brother to avenge another brother's death. On the other hand, the lord of the clan, Ikeda Tadao, ordered a search for Matagorō, who was found to be sheltered by the Hatamoto, including Andō Jiemon, in Edo. Tadao was furious but unable to act. Matagorō, in Edo, came to regret his birth as a samurai. He met and fell in love with Okō, a bathhouse maid. As the discord between the Hatamoto and the Ikeda clan deepened, Tadao died of illness. Seizing the opportunity to ease the conflict, the shogunate ordered the Ikeda clan to be succeeded by the young lord Katsugorō and to relocate to the Ikeda clan of Inshū Tottori. Meanwhile, Matagorō was exiled from Edo.

In 1863, when American warships approach Japan, an enigmatic ronin becomes an important figure in a complex game of power between the Shogunate and the empire.

A section chief at the Bureau of Construction is in a shady relationship with a construction company. Then a new, young and honest subordinate is assigned to work under the section chief. Once he learns about the shady relationship, however, the new subordinate skillfully conceals the corruption and joins the corrupt, shady relationship.

The movie depicts the youth of kamikaze pilots who scattered young lives in the sky.

No synopsis available yet.

Shinzō, the heir of the prominent Edo lumber dealer Yamashiroya, left home when his stubborn father, Chōzaemon, dismissed his lover, the maid Oyasu. Shinzō and Oyasu set up a household near a soba shop in Fukagawa, but Shinzō struggled financially, turning to gambling and fighting, while Oyasu worked as a tea server in a theater, constantly harassed by a small-time gangster, Rikichi, for cigarette money. The only ones concerned about Shinzō and Oyasu were Shinzō’s sister, Omitu, and her dance teacher, Oyoshi. Later, Shinzō managed to get a job at another lumber dealer, but after a conflict with the detective Hansuke, who was also infatuated with Oyasu, Shinzō accidentally dropped lumber into the river and was fired. Unaware that Oyasu had borrowed money from a bar to repay the lumber dealer, Shinzō left to earn money in the Mito clan's crew quarters and ended up rescuing Rikichi from a dice game trouble.

A rural village elder plans an event on the return of a farmer's daughter from the city, unaware that she has become a Westernized burlesque artist.

AKA Family of Women. A story about a wealthy family and the greed and selfishness of three daughters and relatives, after the passing of their old father.

This period film is inspired by one of the most notorious scandals to have taken place in Edo-period Japan. The heroine, Ejima, was a lady of the Ooku, the harem of Edo Castle in which the Shogun’s mother, wife and concubines resided, forbidden from contact with any other man except in the presence of the Shogun. The institution played a key role in the Byzantine world of Japanese court politics during the Edo era. In 1714, Lady Ejima was sent to pay her respects at a Buddhist temple in the city, and chose to pay an unauthorised visit to the kabuki theatre – a violation of protocol that was to have tragic consequences.