No synopsis available yet.

Le Grand Échiquier is a French variety television program created and presented by Jacques Chancel. It aired at 8:30 pm on the first channel of the ORTF from January 12, 1972 to July 12, 1972, then on the second color channel of the ORTF from September 1972 to December 1974, and finally on Antenne 2 from January 1975 to December 21, 1989. The program returned to France 2 on December 20, 2018 and is hosted by Anne-Sophie Lapix.

Cachitos de hierro y cromo is a Spanish musical-themed documentary program, directed by Jero Rodríguez and hosted by Virginia Díaz. It is an unapologetic musical display of RTVE's sound legacy in the form of performances on the set of programs such as 'Aplauso', 'Galas del Sábado', 'Mapa Sonoro', 'Zona Franca' or 'Los Conciertos de Radio 3'. For nearly 60 years, artists and other specimens have stormed viewers' screens. The result is a polyphony of images and memories that includes everything from James Brown to Camela, from Perales to REM, from Gabinete to Violent Femmes. And so all the time. Our secret weapon has been the historical archive of TVE, the repository of Spanish collective memory for more than half a century.

No synopsis available yet.

After she's raped by the outlaw trio who murdered her husband, a frontierswoman hires a bounty hunter to instruct her in the ways of a gun in order to exact her revenge.

Filmed like a documentary, "Sevillanas" consists of eleven short performances by Spain's most famous flamenco dancers, singers and guitarists. Saura, well-known for his flamenco films ("Blood Wedding," "Carmen"), here provides an in-depth look at the Sevillanas form of flamenco and its dancers.

The film presents thirteen rhythms of flamenco, each with song, guitar, and dance: the up-tempo bularías, a brooding farruca, an anguished martinete, and a satiric fandango de huelva. There are tangos, a taranta, alegrías, siguiriyas, soleás, a guajira of patrician women, a petenera about a sentence to death, villancicos, and a final rumba.

While rehearsing a flamenco ballet adaptation of Bizet's opera “Carmen”, Antonio, the choreographer, falls in love with the main dancer, Carmen, a fiercely independent woman. Antonio is slowly consumed by jealousy and possessiveness towards Carmen, just like Don José in the original opera, blurring the lines between fiction and reality.

A look at the history and traditions of flamenco music and dance.

Throughout the streets of Huelva, a man with his guitar has been disambiguating for years, day and night he goes out into the streets to make a living asking for money in bars and terraces. His guitar almost never has the six strings, his hands are dirty, his mind long ago could not stand the life that he had to live, and he continues as he can stuck to that guitar with which he expresses himself continuously, indefatigable. That vagabond, an omnipresent street artist, is the "Niño Miguel", considered by many to be the best guitarist in the history of flamenco, a genius who revolutionized the guitar with only two records in the 70s, a source of inspiration for all other guitarists... a guitarist of guitarists, a living legend, a mystery, a misunderstood genius, excluded from society: The shadow of the strings.

Francisco Sanchez: Paco de Lucia, is the definitive documentary on the myth of the flamenco guitar. It not only provides information about his life and musical art, but it also offers a previously unknown intimate portrait of the artist than makes us 'feel' and understand the human being beneath the world wide known genius. Retired in the Mexican jungle, Paco de Lucía shows in this program his creative doubts, the reasons for his silence and other secrets of his genius. It is the first time that the 'master' invites a television team to share with him a world tour and allows it to record his daily life in Mexico and his meetings with other artists, like Chick Corea.

The documentary is a summary of Paco de Lucía's career, his art, his human category and his life, from his first artistic steps to his last professional steps, which have been marked by flamenco. Numerous testimonies and interviews carried out between 2010 and 2014 are exposed.

Pavarotti & Friends was a series of benefit concerts hosted by Italian operatic tenor Luciano Pavarotti between 1992 and 2003 in his home town of Modena, Italy. Proceeds from the events were donated to humanitarian causes including the international aid agency War Child and the United Nations High Commissioner for Refugees. The Pavarotti & Friends for War Child concert was held on June 20, 1996. Proceeds from the concert were donated to the international aid agency, War Child, specifically in aid of children in Bosnia. The concert featured guest performances by Elton John, Sheryl Crow, Eric Clapton, Liza Minnelli and Joan Osborne.

This documentary looks back on the life of legendary flamenco singer Camarón, who went from humble roots to rock star status to a tragic early death.

No synopsis available yet.

Paco & John - Live At Montreux 1987

In 1979 and 1980, three world renowned guitarists, John Mc Laughlin, Paco De Lucia and Larry Coryell, formed a guitar super-trio and toured Europe. This is the recording of their performance live at Royal Albert Hall.

A Special Guitar Summernight with John McLaughlin, Al di Meola and Paco de Lucia at the Loreley. August 30, 1981.

Guitar Legends was a concert held over five nights, from October 15 to October 19, 1991, in Seville, Spain, with the aim of positioning the city as an entertainment destination to draw support for Expo '92 beginning the following April. The event featured 27 top guitarists, including BB King, Brian May, George Benson, Joe Walsh, Keith Richards, Les Paul, Robbie Robertson, Robert Cray, Roger Waters, Albert Collins, Steve Vai and Joe Satriani. The vocalists included Rickie Lee Jones, Bob Dylan and Joe Cocker. Five 90-minute shows and a one-hour documentary were broadcast. Forty-five countries showed at least one live show. Later, broadcasters in 105 countries broadcast one or more programmes.

It was a Friday night in 1980, December 5th to be exact: the Warfield stadium in San Francisco filled up lazily. The stage that was being set up was simple: three small wooden chairs, three microphones with the booms set at rather low height.Here comes the first hero of the evening on stage, the living legend Al Di Meola, with an outfit that smacks of a modern cowboy..His trusty acoustic guitar is placed on an easel next to one of the chairs. pick up the mic and.....