The 26th NHK Asadora. Shimazaki Kayo is a woman from Hagi, Yamaguchi, who joins the Takarazuka Revue, a Japanese all-female musical theater troupe based in Takarazuka, Hyougo Prefecture, Japan. Women play all roles in lavish, Broadway-style productions of Western-style musicals, and sometimes stories adapted from shoujo manga and Japanese folktales.

Taking its title from an archaic Japanese word meaning "ghost story," this anthology adapts four folk tales. A penniless samurai marries for money with tragic results. A man stranded in a blizzard is saved by Yuki the Snow Maiden, but his rescue comes at a cost. Blind musician Hoichi is forced to perform for an audience of ghosts. An author relates the story of a samurai who sees another warrior's reflection in his teacup.

Kaze to kumo to Niji to deals with the Heian period in Japan. Based on Chōgorō Kaionji`s novels Taira no Masakado and Umi to Kaze to Niji to. The drama was made by Go Kato`s request. The story chronicles the life of Taira no Masakado . The story begins with Masakado′s childhood. Masakado happens to meet Fujiwara no Hidesato, and he thinks that he want to be great Samurai like Hidesato in the future.

Set at the end of the 12th century when several wars for control of Japan disrupted a long era of peace, this tale of "Heike" (another name for the Taira clan) focuses on Taira Kiyomori who fights alongside other members of his clan to at first successfully overcome the Minamoto clan and their bid for power. Battles and intrigue abound, as the puppet Emperor and Buddhist monks take sides in the power struggle. At issue is Kiyomori's parentage, not an unusual problem for the nobility in that era where clandestine liaisons among courtiers and the upper classes were common.

Kaji, sent to the Japanese army labeled Red, witnesses cruelties in the army and revolts against the abusive treatment against a fellow recruit. He also sees his friend Shinjô defecting to the Russian border, and he ends in the front to fight a lost battle against the Russian tanks division.

Ryunosuke, a gifted swordsman plying his trade during the turbulent final days of Shogunate rule, has no moral code and kills without remorse. It’s a way of life that leads to madness.

After the Japanese defeat to the Russians, Kaji leads the last remaining men through Manchuria. Intent on returning to his old life, he faces great odds in a variety of different harrowing circumstances as he and his men sneak behind enemy lines.

After handing in a report on the treatment of Chinese colonial labor, Kaji is offered the post of labour chief at a large mining operation in Manchuria, which also grants him exemption from military service. He accepts and moves with his newlywed wife Michiko, but when he tries to put his ideas of more humane treatment into practice, he finds himself at odds with scheming officials, cruel foremen, and the military police.

Ten years into a marriage, the wife is disappointed by the husband's lack of financial success, meaning she has to work and can't treat herself and the husband finds the wife slovenly and mean-spirited: she neither cooks not cleans particularly well and is generally disagreeable. In turn, he alternately ignores her and treats her as a servant. Neither is particularly happy, not helped by their unsatisfactory lodgers. The husband is easily seduced by an ex-colleague, a widow with a small child who needs some security, and considers leaving his wife.

On a post-war peaceful day in Japan, Toyomatsu Shimizu, a barber as well as a good father and husband, is suddenly arrested by the Prefectural Police as a war criminal and sued for murder.

Following the detonation of the atomic bombs on Hiroshima and Nagasaki, the Japanese military and the government clash over the demand from the Allies for unconditional surrender. Minister of the Army Anami leads the military officers who propose to fight on, even to the death of every Japanese citizen. Emperor Hirohito, however, joins with his ministers in asking the unthinkable, the peaceful surrender of Japan. When the military plots a coup to overthrow the Emperor's civilian government, Anami must face the choice between his desires and loyalty to his Emperor.

After their lord is tricked into committing ritual suicide, forty-seven samurai warriors await the chance to avenge their master and reclaim their honor.

The family of an older man who runs a small sake brewery become concerned with his finances and his health after they discover him visiting an old mistress from his youth.

Film directed by Kenji Misumi.

Housewives from four neighboring households casually gather at an old well at Kaneko's house in a residential area on the outskirts of Tokyo. If two people come together, they will talk about selling kimonos, if three people come together, they will discuss food shopping, and when four people come together, there will be laughter. Focusing on four housewives who gather at the edge of the well, it depicts the daily life of each household.

A film about the construction of the Kasumigaseki Building, the first high-rise building in Japan.

No synopsis available yet.

LOVE IS THE CONDITION FOR BEING HUMAN The Human Condition is a Japanese epic film trilogy made between 1959 and 1961 The trilogy follows the life of Kaji, a Japanese pacifist and socialist, as he tries to survive in the totalitarian and oppressive world of World War II-era Japan. Taken altogether as a single film, it is 9 hours and 47 minutes long, which includes intermissions, making it one of the longest narrative films ever made.

A jobless young couple, Yoshigi and Tsutue, wind up at the outskirts of the Suzaki red-light district in Tokyo. Tsutue talks her way into a job pouring sake for male customers at a small bar run by a sympathetic older woman, while Yoshigi is shunted off into a nearby noodle shop, where he gets a job delivering noodles. Tsutue charms and runs off with one of her clients. Yoshigi, ignoring the attentions of a sweet co-worker, pursues Tsutue.

A young lord joins gang of Robin-esque robbers.