The High-Sierra adventures of Ben Cartwright and his sons as they run and defend their ranch while helping the surrounding community.

The series initially starred veteran movie supporting actor Ward Bond as the wagon master, later replaced upon his death by John McIntire, and Robert Horton as the scout, subsequently replaced by lookalike Robert Fuller a year after Horton had decided to leave the series. The series was inspired by the 1950 film Wagon Master directed by John Ford and starring Ben Johnson, Harry Carey Jr. and Ward Bond, and harkens back to the early widescreen wagon train epic The Big Trail starring John Wayne and featuring Bond in his first major screen appearance playing a supporting role. Horton's buckskin outfit as the scout in the first season of the television series resembles Wayne's, who also played the wagon train's scout in the earlier film.

Have Gun – Will Travel is an American Western television series that aired on CBS from 1957 through 1963. It was rated number three or number four in the Nielsen ratings every year of its first four seasons. It was one of the few television shows to spawn a successful radio version. The radio series debuted November 23, 1958. The television show is presently shown on the Encore-Western channel. Have Gun – Will Travel was created by Sam Rolfe and Herb Meadow and produced by Frank Pierson, Don Ingalls, Robert Sparks, and Julian Claman. There were 225 episodes of the TV series, 24 written by Gene Roddenberry. Other contributors included Bruce Geller, Harry Julian Fink, Don Brinkley and Irving Wallace. Andrew McLaglen directed 101 episodes and 19 were directed by series star Richard Boone.

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

Dick Powell's Zane Grey Theatre, sometimes simply called Zane Grey Theatre, is an American Western anthology series which ran on CBS from 1956 to 1961.

Cheyenne Bodie was a big man, a former army scout who went west after the American Civil War and drifted from job to job, here a cowboy, there a lawman, and always a larger-than-life hero. CHEYENNE is an American western television series of 108 black-and-white episodes broadcast on ABC from 1955 to 1963. The show was the first hour-long western, and in fact the first hour-long dramatic series of any kind, with continuing characters, to last more than one season. It was also the first series to be made by a major Hollywood film studio which did not derive from its established film properties, and the first of a long chain of Warner Brothers original series produced by William T. Orr.

Gunsmoke is an American radio and television Western drama series created by director Norman MacDonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television.

Wanted: Dead or Alive is an American Western television series starring Steve McQueen as the bounty hunter Josh Randall. It aired on CBS for three seasons from 1958–61. The black-and-white program was a spin-off of a March 1958 episode of Trackdown, a 1957–59 western series starring Robert Culp. Both series were produced by Four Star Television in association with CBS Television. The series launched McQueen into becoming the first television star to cross over into comparable status on the big screen.

This show started in New York City, with Broadway actors and actresses. It then moved to Hollywood, California, where Hollywood actors and actresses headed the cast.

Escaping death, a Hebrew infant is raised in a royal household to become a prince. Upon discovery of his true heritage, Moses embarks on a personal quest to reclaim his destiny as the leader and liberator of the Hebrew people.

The Deputy is an American western series that aired on NBC from September 1959, to July 1961. The series stars Henry Fonda as Chief Marshal Simon Fry of the Arizona Territory and Allen Case as Deputy Clay McCord, a storekeeper who tried to avoid using a gun.

No synopsis available yet.

Crime drama starring Rod Cameron as 43-year-old Bart Grant, a tough 1950s New York City police lieutenant.

Studio 57 is an American anthology series that was broadcast on the now-defunct DuMont Television Network from September 1954 to September 1955, and in syndication from 1955 to 1956.

Black Saddle is an American Western television series starring Peter Breck that aired 44 episodes on ABC from January 10, 1959 to May 6, 1960. The half-hour program was produced by Dick Powell's Four Star Television, and the original pilot was an episode of CBS's Dick Powell's Zane Grey Theater, with Chris Alcaide portraying the principal character, Clay Culhane. For syndicated reruns, Black Saddle was combined with three other Western series from the same company, Law of the Plainsman starring Michael Ansara, Johnny Ringo starring Don Durant and Mark Goddard, and the critically acclaimed creation of Sam Peckinpah, The Westerner with Brian Keith, under the umbrella title, The Westerners, with new hosting sequences by Keenan Wynn.

The Pepsi-Cola Playhouse is an American dramatic anthology series that aired on ABC from 1953 to 1955, sponsored by Pepsi-Cola. The show was hosted by Arlene Dahl, Anita Colby, and, finally, Polly Bergen

Cavalcade of America is an anthology drama series that was sponsored by the DuPont Company, although it occasionally presented a musical, such as an adaptation of Show Boat, and condensed biographies of popular composers. It was initially broadcast on radio from 1935 to 1953, and later on television from 1952 to 1957. Originally on CBS, the series pioneered the use of anthology drama for company audio advertising. Cavalcade of America documented historical events using stories of individual courage, initiative and achievement, often with feel-good dramatizations of the human spirit's triumph against all odds. This was consistent with DuPont's overall conservative philosophy and legacy as an American company dating back to 1802. The company's motto, "Maker of better things for better living through chemistry," was read at the beginning of each program, and the dramas emphasized humanitarian progress, particularly improvements in the lives of women, often through technological innovation.

Outlaws is an NBC Western television series, starring Barton MacLane as U.S. marshal Frank Caine, who operated in a lawless section of Oklahoma Territory about Stillwater. The program aired 50 one-hour episodes from September 29, 1960, to May 10, 1962. The first season was shot in black-and-white, the second in color. Co-starring with MacLane in the 1960–1961 season was Don Collier as deputy marshal Will Foreman. In the second season, MacLane left the program, and Collier was promoted to full marshal, with Bruce Yarnell joining the cast as deputy marshal Chalk Breeson. Jock Gaynor appeared in the first season as deputy Heck Martin, the on-screen nephew of Will Foreman. Slim Pickens appeared as "Slim" in the second season. Judy Lewis also appeared the second season as Connie Masters, an employee of the Wells Fargo office in Stillwater. The dog who appeared in Walt Disney's Old Yeller was also cast in The Outlaws. Others who appeared on the program on at least three occasions were Vic Morrow, Cliff Robertson, Pippa Scott, and Harry Townes. In addition, John Anderson, Edgar Buchanan, Jackie Coogan, Bruce Gordon, Robert Harland, Robert Lansing Cloris Leachman, Robert Karnes, Brian Keith, Larry Pennell, Chris Robinson, William Shatner, Ray Walston, Jack Warden, and David Wayne each appeared twice in the series.

Lux Video Theatre is an American anthology series that was produced from 1950 until 1959. The series presented both comedy and drama in original teleplays, as well as abridged adaptations of films and plays.

The Restless Gun is an American western television series that appeared on NBC between 1957 and 1959, with John Payne in the role of Vint Bonner, a wandering cowboy in the era after the American Civil War. A skilled gunfighter, Bonner is an idealistic person who prefers peaceful resolutions of conflict wherever possible. He is gregarious, intelligent, and public-spirited. The half-hour black-and-white program aired seventy-eight episodes. Jeanne Bates appeared in varying roles with Payne in five episodes of The Restless Gun. The Restless Gun theme song begins: "I ride with the wind, my eyes on the sun, and my hand on my restless gun..." The song composer is probably Paul Dunlap, credited as the primary series composer, but could have been contributed to by either of the two other series composers, Dave Kahn and Stanley Wilson, also. Two versions are currently posted on YouTube, but neither posting lists any composer or performance credits.