Expert analysis and dramatic storytelling of recent crime stories.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

All the games and behind-the-scenes of Silvio Berlusconi's power, including politics, media and soccer. Citizen Berlusconi is the original version of the documentary written by Andrea Cairola and Susan Gray broadcast on August 21, 2003, during the Wide Angle program of Thirteen/Wnet New York, the major U.S. public TV station Pbs.

A docuseries about Silvio Berlusconi before becoming prime minister of Italy, from succeeding as a charismatic entrepreneur to changing European TV.

Everything you always wanted to know about pornography (but were afraid to ask).

Nanni Moretti once again muses on the ebb and flow of life in April 1996, as he is about to become a father for the first time and finds himself unable to focus on his documentary about the upcoming general elections, where the left is heading into a rematch against Berlusconi.

The financial crisis of 2008 was a turning point during which the complexity of our financial system manifested itself. It was a web we had spun for over for more than thirty years ut it turned out to be a giant house of cards. Starting in the US where the Lehman Brothers fell, the crisis spread like wildfire. Only two weeks after Lehman, the crisis infected Europe..

From his beginnings in real estate to his rise to power, this is the story of Silvio Berlusconi's two decades of ascension, during which he radically transformed Italy's media landscape—and soon its political landscape as well. A fascinating portrait of an opportunistic entrepreneur with extraordinary charisma.

The behind-the-scenes story of French television… This documentary unveils the lesser-known history of two audiovisual decades that have shaped today's television. To explain from the break up of the French broadcasting service ORTF, in 1974, to the creation of Arte, via the birth of Canal+, the life and death of La Cinq and the privatization of TF1 — the succession of political, economic and cultural decisions that have shaped what is known as the “PAF” (French Audiovisual Landscape).

No synopsis available yet.

Girlfriend in a Coma is a documentary that exposes the dire situation of Italian politics and the process of economic and social decline the country has suffered during the last two decades, treating the decline as a warning of what might happen elsewhere in the West. The decline has occurred amid a collapse of moral values and the victory of “Mala Italia” over “Buona Italia”. It has been lauded as being ground-breaking in its creative combination of animation, interviews and hard facts, and has caused fierce controversy in Italy.

Lawsuit-proof satirical "unauthorized biography" of Silvio Berlusconi told using only words spoken by the man himself in interviews, rallies, or other public statements.

In a country where bella figura is a national pastime, Prime Minister Silvio Berlusconi is the maestro of media manipulation. Having risen to political primacy with the aid of his Mediaset empire, he now controls 90% of the bel paese’s television channels including the state-run RAI network. Quantity, it seems, does not equal quality. Fed on a diet of semi-naked dancing girls, inane competitions and rickety reality shows built around the most ridiculous of premises, is it any wonder that Italians are becoming a nation of fame-hungry wannabes?

Viva Zapatero! is a 2005 documentary by Sabina Guzzanti telling her side of the story regarding the conflict with Silvio Berlusconi over a late-night TV political satire show broadcast on RAI-3. The show, RAIot (a play on the name of the Italian state public TV: RAI, and the English word riot), lampooned prime minister Berlusconi. Since it wasn't considered a satirical show, but a political one, it was cancelled after the first episode.

Palermo, Sicily, Italy, 2017. Twenty-five years after the murders of anti-mafia judges Giovanni Falcone, on May 23, 1992, and Paolo Borsellino, on July 19, 1992; and on the occasion of the tributes held in memory of both heroes, skeptical photographer Letizia Battaglia, chronicler of their titanic combat, criticizes the opportunism of shady characters who, like businessman Ciccio Mira, profit from the commemoration of both tragedies.

Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.

Alessandra Ferrini examines a photograph from an official visit by Gaddafi to Italy during the Berlusconi era. The film delves into the connections between Italy’s colonial past and its contemporary politics.