Hollywood hopeful Peggy Pepper arrives at a major studio, from Georgia, to become a great dramatic star. Things don't go entirely according to plan.

A comedy short directed by character Slim Summerville.

In this 1918 film, newly restored by MoMA, Hart is a ship's captain in the Pacific Northwest who abandons his post to pursue a woman who does not love him (MacDonald) across the Klondike, eventually rescuing her from the grip of a white slaver.

A collection of film clips profiling animal actors.

Angela comes to Hollywood with only two things: Her dream to become a movie star, and Grandpa. She leaves an Aunt, a brother, Grandma, and her longtime boyfriend back in Centerville. Despite seeing major movie stars around every corner, and knocking on every casting office door in town, at the end of her first day she is still unemployed. To her horror, when she arrives back at their hotel, she finds that Grandpa has been cast in a movie by William DeMille and quickly becomes a star during the ensuing weeks. Her family, worried that Angela and Grandpa are getting into trouble, come to Hollywood to drag them back home. In short order Aunt, Grandma, brother, boyfriend and even the parrot become superstars, but Angela is still unemployed...

A documentary of Hollywood's first great Latin Lover, the contradictions in his personal life, and his premature death.

A compilation of early-day silent films that serves as a glimpse back to the formative days of the movie industry as a salute to Hollywood's Golden Year, so proclaimed by the Hollywood Chamber of Commerce as 1953.

When Reverend Robert Henley and his sister Faith arrive in the town of Hell's Hinges, saloon owner Silk Miller and his cohorts sense danger to their evil ways. They hire gunman Blaze Tracy to run the minister out of town. But Blaze finds something in Faith Henley that turns him around, and soon Silk Miller and his compadres have Blaze to deal with.

When Gawne finds his brother dying and hears that the killer has run off with his brother's wife, he swears revenge.

A small town marshal’s secret past as an outlaw comes back to haunt him when an old associate shows up and threatens to expose his former dark deeds.

A rollicking compendium of the greatest hits of silent-cinema chase sequences

The House That Shadows Built (1931) is a short feature, roughly 48 minutes long, from Paramount Pictures made to celebrate the 20th anniversary of the studio's founding in 1912. It was a promotional film for exhibitors and never had a regular theatrical release and includes a brief history of Paramount, interviews with various actors, and clips from upcoming projects (some of which never came to fruition). The title comes from a biography of Paramount founder Adolph Zukor, The House That Shadows Built (1928), by William Henry Irwin.

A hard-working prospector enters the town of Bakeoven to stake his claim, only to have his rights stolen and his face on "Wanted" posters. He plans reprisal.

Bill Evers, a gambling house keeper, is in reality the "Desert Scourge," an outlaw.

Gambler Oak Miller seeks revenge on the man who misused his sister Rose, who is ill and under the care of the woman Oak loves, Barbara. The man Oak seeks, Granger, is planning to rob a wagon train with the collusion of the Indians under Chief Long Knife. When Barbara is suspected of killing her lascivious stepfather, Oak takes the blame and is arrested just before he is needed to save the threatened wagon train.

Family relationships of a New Mexico family are just one part of this silent cowboy western about a war veteran who finds a goldmine. He wants to earn enough money to take care of his young son, but crooked officials swindle him out of the mine, and then his son is killed. He swears vengeance and joins up with Mexican bandit, "Pancho Zapilla", who intends to destroy his whole town.

William S. Hart stars in this 1925 silent film as a cowboy intent on claiming land during the 1889 land rush in the Oklahoma Territory. Though hardened from years of taming the new frontier, he falls in love with a beautiful woman. Before he settles down, however, he must contend with men who wish to bring him harm. In the prologue of the 1939 Astor Pictures revival of this film, Hart gives a moving eight-minute introduction-- the first and only time he appeared in a film accompanied by his striking voice.

Drunk and disorderly cowpoke Robert Sands is banished from an Arizona frontier town and hops on a freight train heading for New York. Arriving in Manhattan, the rough-and-tumble cowboy obtains a position as "physical guardian" to a spoiled member of the social register.

William S. Hart directs and stars in a film that is a typical Western of the era. He plays Jim, a prospector who lands in the town of Broken Hope, and the name pretty much describes its inhabitants. Jim meets and falls in love with Jennie (Margery Wilson), whose father (Walt Whitman) is gravely ill. Jim rounds up a reluctant doctor from another town to tend to the old man, but he dies anyway. The doctor, however, gains Jennie's trust and she runs off with him. Only then does he tell her he's already married. She leaves immediately, but is too proud to go home so she finds work as a dance hall girl at Tacoma Jake's saloon. Jim, meanwhile, finds gold near Broken Hope, which raises its inhabitants' attitudes considerably. But the bad element is still there, and Jim is chasing after a group of kidnappers when he enters Tacoma Jake's saloon and sees Jennie. Jim not only overcomes the bad guys, he gets the girl, too.

The former gambler turned upholder of law and order after a run-in with a gang of stage robbers.