An antiquities expert teams up with an art thief to catch a terrorist who funds his attacks using stolen artifacts.

A once-average teen and his friends become paranormal detective and document their adventures in an online blog under the pseudonym “Mr. Midnight.”

The story of the romance between the King of Siam (now Thailand) and the widowed British school teacher Anna Leonowens during the 1860s. Anna teaches the children and becomes romanced by the King. She convinces him that a man can be loved by just one woman.

China is in unrest, as the Republic falls prey to Warlords like Kahn Xin, who holds an entire province hostage to the opium trade—and destroys all who oppose him. Only the revered Wudang monks dare stand in Kahn’s way in order to protect the very soul of China. Among them is the Westerner, White Crane, a spiritual master of the martial arts and protector of the innocent. Revenge is not in Crane’s heart—until a mercenary army storms the temple and slaughters the beloved female Grandmaster Myling. Out of the ashes of the temple ruins, Crane rises—with vengeance in his heart. Crane comes upon Jane Marshall, a New York lounge singer and her gangster boss Bingo Quo. But it’s Bingo’s dangerous professional ties to Kahn that draw both Crane and Jane deep into the Warlord’s lair. Now torn between the spiritual Wudang teaching and the cold-blooded life of an assassin, Crane is about the cross the fine line between justice and revenge.

Triple Nine is an English language television police procedural telecast on what was then the Television Corporation of Singapore's Channel 5 from 1995 to 1999. The station's earliest attempt in an action-based drama series, it revolved around the lives of a group of police officers, namely Inspector Mike Chin, Inspector Elaine Tay, and Sergeant Alan Leong from the Special Investigation Section of the Criminal Investigation Department. The cast changed in subsequent seasons, notably with the inclusion of Inspector Sean Han, Inspector Herbert de Souza, and Sergeant Yeo Lay Kim from the third season, and Sergeant Sarah Chan from the 4th season. Season 2 was written by Amos Kwok. The first season was also dubbed into Chinese and aired on Channel 8 in 1996.

American journalist Nick Orton is caught up in the world of Chinese gods and monsters while on a search for the long lost manuscript to 'Hsi Yu Chi' (The Journey to the West) by Wu Ch'eng En. He is accompanied on his journey by a humanoid ape with incredible strength and magical powers, a humanoid pig-man, and his brother-in-arms, an ex-cannibal. Based on one of the greatest stories in Chinese history.

Assigned to accompany two priests on a mission to convert the court of Kublai Khan to Christianity, Marco Polo is abandoned in the mountains when the priests, doubting the very existence of China, turn back. Polo eventually pushes bravely forth alone toward the fabled country where he is accepted as an envoy into Khan's court. Marooned on the far side of the world, Polo, accompanied by his servant, Pedro, advances as a Mongol grandee for twenty extraordinary years. What he eventually brings back with him to the West is a chronicle that changed history forever.

A teenage girl clashes with her practical mother over selling the family piano—her last connection to a father slipping away to young-onset dementia—as they prepare to move homes.

Assigned to accompany two priests on a mission to convert the court of Kublai Khan to Christianity, Marco Polo is abandoned in the mountains when the priests, doubting the very existence of China, turn back. Polo eventually pushes bravely forth alone toward the fabled country where he is accepted as an envoy into Khan's court. Marooned on the far side of the world, Polo, accompanied by his servant, Pedro, advances as a Mongol grandee for twenty extraordinary years. What he eventually brings back with him to the West is a chronicle that changed history forever.

A group of strangers' lives fatefully intertwine as they navigate budding love, confront profound loss, and encounter old flames.

In a dingy motel room that is as hot and clammy as the jungle painted on its walls, a sexual threesome has been arranged to take place. Except that the two men lying in wait are officers from the Central Narcotics Bureau, ready to apprehend their suspect, who is going to show up with crystal meth at any moment. Staff Sergeant Boon is garrulous and relaxed; for him, this is a job just like any other. Inspector Anton, on the other hand, is preoccupied and tense, and is increasingly restless. As the wait for the suspect lengthens, it is apparent Anton has something infinitely more personal at stake. In what appears to be a routine crackdown operation, which walls will come tumbling down, and what thresholds will be crossed? In the film’s tropical swelter, how does one ascertain that everything one sees is not a mirage from a fragmenting mind?

China is in unrest, as the Republic falls prey to Warlords like Kahn Xin, who holds an entire province hostage to the opium trade—and destroys all who oppose him. Only the revered Wudang monks dare stand in Kahn’s way in order to protect the very soul of China. Among them is the Westerner, White Crane, a spiritual master of the martial arts and protector of the innocent. Revenge is not in Crane’s heart—until a mercenary army storms the temple and slaughters the beloved female Grandmaster Myling. Out of the ashes of the temple ruins, Crane rises—with vengeance in his heart. Crane comes upon Jane Marshall, a New York lounge singer and her gangster boss Bingo Quo. But it’s Bingo’s dangerous professional ties to Kahn that draw both Crane and Jane deep into the Warlord’s lair. Now torn between the spiritual Wudang teaching and the cold-blooded life of an assassin, Crane is about the cross the fine line between justice and revenge.

The Y2K Bug. Real Warfare vs Electronic Gaming. Peter Tong, a carefree Hong Kong youngster, finds himself drawn into the web of a deadly espionage conspiracy. A clandestine organization schemes to use the Y2K Bug to cause mayhem throughout Asia. To survive, Peter has to call on reserves of courage and stamina he has never needed before.

Teenage outcast Luna struggles to fit in at school, bullied for being 'ugly' and 'poor'. Craving acceptance, an accident transports her through alternate realities in search of happiness, but with dire consequences.

Inspired by true events, Solos explores relationships among three individuals who are struggling to open up their feelings towards each other. Filmmakers Kan Lume and Loo Zihan co-directed this pathos that dramatizes the selfishness of love and its tragic outcomes. Set in contemporary Singapore, Solos follows the endeavors of Boy, Man and Mother. Having been in a relationship with Man (Lim Yu Beng) for years, Boy (Loo Zihan) eventually grows up and wishes to quit the relationship. Conversely, Man still wants to be with Boy and for them to settle together. Meanwhile, Mother (Goh Guat Kian) is devastated that her son (Boy) has abandoned her and has been in relationship with Man. As the three characters fight their own demons, Solos juxtaposes reality and surreal scenes in order to give clues of each character’s inner desires. The film has minimum conversation to give freedom to the audience's individual interpretation of the film.

Disappointed by his failed dreams, Loh Poh Huat visits his frustrations on his family. So when he wins the lottery, everyone believes the money will deliver them from their struggles. However, Loh dies abruptly and his elaborate and surreal Taoist funeral pitches the family into a battle where the stakes are the very meaning of life itself. Singapore Dreaming is a poignant yet darkly humorous story which follows the lives of six individuals as they navigate the rapidly changing conditions experienced in today’s modern South-East Asian cities.

An animated adaptation of the famous play by William Shakespeare. It transposes the setting to a Southeast-Asian environment. Created in close collaboration with the Shakespeare Institute in Stratford-upon-Avon and its director Prof. Michael Dobson.

A group of film students burn paper effigy cameras for the wandering spirits during the ghost month in Singapore and receive a collection of horror movies in return.