DuPont Show of the Month is an acclaimed 90-minute television anthology series that aired monthly on CBS from 1957 to 1961. The DuPont Company also sponsored a weekly half-hour anthology drama series hosted by June Allyson, The DuPont Show with June Allyson. During the Golden Age of Television, DuPont Show of the Month was one of numerous anthology series telecast between 1949 and 1962. Superficially, it resembled Playhouse 90 and other anthologies, but DuPont Show of the Month focused less on contemporary dramas and more on adaptations of literary classics, including Oliver Twist, The Prince and the Pauper, Billy Budd, The Prisoner of Zenda, A Tale of Two Cities and The Count of Monte Cristo.

A globe-trotting adventurer takes on cases to track down shady individuals who want to stay hidden, earning a million dollars per assignment.

The younger son of a working-class Jewish family in Montreal, Duddy Kravitz yearns to make a name for himself in society. This film chronicles his short and dubious rise to power, as well as his changing relationships with family and friends. Along the way the film explores the themes of anti-semitism and the responsibilities which come with adulthood.

During the last years of World War II, Hermie, Oscy, and Benjie are coming of age. They went their separate ways when they graduated from high school in 1944. Benjie joins the Marines as Hermie and Oscy enter college. There, Hermie falls head over heels for another freshman named Julie, and the two old friends deal with a troublesome fraternity president who is in charge of hazings.

A group of military officers frustrated by government corruption and brutality attempts a coup.

While visiting Switzerland, an American college professor, Adam, keeps running into a divorced British secretary, Patricia, wherever they go. First their cars collide. Then they smash into one another on a ski slope, each breaking a leg. In between numerous quarrels, the two develop lust and love. They hastily marry, but the disagreements continue. Patricia decides to leave, so Adam decides to fake a suicide. They lose and find each other, again and again.

The story of Oedipus' gradual discovery of his primal crime, killing his father and marrying his mother, filmed by the famed British theatrical director Sir Tyrone Guthrie. This elegant version of Sophocles' play adds a brilliant stroke: the actors wear masks just as the Greeks did in the playwright's day.

A famous heart surgeon finds out that a medical research foundation is being used for shady and illegal purposes.

Hank Adams, a restaurateur, is having an affair with the wife of a Presidential adviser when they overhear her husband and an admiral discussing “the killing of the patient.” Their discovery draws the attention of a federal agent, who uncovers a government plot to assassinate the President.

Fashion model Sarah Cornell, from the front car of a subway, witnesses a man pushing a woman onto the tracks to her death. Hoping to dispel the presumption that the woman committed suicide, Sarah contacts the police. But when they arrive to take her statement, she recognizes one of the detectives as the killer. Can she get anyone to believe her before she becomes his next victim?

Smitty, a young man sentenced to six months in prison for marijuana possession eventually becomes the sexual subordinate of another inmate, Rocky.

This comedy chronicles the many crazy sexploits of Xaveria Hollander, the notorious "Happy Hooker."

This short film tells the story of Lord Elgin, a man’s whose faith in a nation’s right to self-determination was stronger than the threat of the mob or his own fear of failure. Successor to Lord Durham, he established the principles on which Canadian government stands today.

During World War II, the Canadian Navy gathered a troupe of diverse performers (dancers, comedians, singers, musicians) from its ranks and sent them off to entertain their shipmates, and the show/revue ultimately played London's Hioopodrome. The acceptance was based more on wartime-London's appreciation of the gallantry of Britain's sons and daughters from over the seas than it was on the artistic value of the show or the talent of the performers. The film is a fictional/fact mixture of the adventures of the troupe members, and the ending, only part filmed in Technicolor, is primarily the Revue as seen at the Hippodrome.