The Antoinette Perry Award for Excellence in Theatre, more commonly known as a Tony Award, recognizes achievement in live Broadway theatre. The awards are presented by the American Theatre Wing and The Broadway League at an annual ceremony in New York City. The awards are given for Broadway productions and performances, and an award is given for regional theatre.

The Philco Television Playhouse is an American anthology series that was broadcast live on NBC from 1948 to 1955. Produced by Fred Coe, the series was sponsored by Philco. It was one of the most respected dramatic shows of the Golden Age of Television, winning a 1954 Peabody Award and receiving eight Emmy nominations between 1951 and 1956.

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A snobbish investor and a wily street con-artist find their positions reversed as part of a bet by two callous millionaires.

The Dinah Shore Chevy Show is an American variety series hosted by Dinah Shore, and broadcast on NBC from October 1956 to June 1963. The series was sponsored by the Chevrolet Motor Division of General Motors and its theme song, sung by Shore, was "See the U.S.A. in Your Chevrolet", which continued to be used in Chevrolet advertising for several more years after the cancellation of the show.

“The Bell Telephone Hour” was a musical variety show that aired on “NBC” TV from 12 January 1959 to 14 June 1968 that showcased the best in Broadway, Classical, Concert, Jazz and Popular music each week. The series had its’ own house band appropriately named the “Bell Telephone Orchestra”. The show also had its’ own theme song being the “Bell Waltz” composed by “Donald Voorhees” who was also the show's Orchestra conductor. Some of the greatest violinists of the 1960’s performed on this show that aired in the old “Black & White” format. Some of these great violinists included “Erica Mornin”, “Isaac Stern", "Michael Rabin", "Ruggiero Ricci", "Yehudi Menuhin" and "Zino Francesacatti". From time to time some of the great singers and bandleaders of the 1960’s would perform on the show as well. Some of these were “Bing Crosby”, “Gordon MacRae”, “John Gary”, “Leslie Uggams”, “Mary Martin”, “Nelson Eddy”, “Patti Page” and “Roy Rogers”. The TV show followed on the heels of its’ predecessor with the same name on “NBC” radio that aired from 29 April 1940 to 1958 on Monday nights at 8 PM. The name of the show was derived from its’ Major sponsor “Bell Telephone Laboratories”. The TV version began airing on Friday nights at 8:30 PM once a month. It later was given it’s same time slot now airing every other week alternating with another show on the other weeks such as News shows and specials. The show time slot changed quite often over the years. In September 1960 it aired at 9 PM and in September 1961 it moved to 9:30 PM. In October 1963 it moved to Tuesday nights at 10 PM, September 1965 it moved to Sunday night at 6:30 PM and in September 1967 it made its' final move back to Friday night at 10 PM.

The most glittering, expensive, and exhausting videotaping session in television history took place Friday February 19, 1982 at New York's Radio City Music Hall. The event, for which ticket-buyers paid up to $1,000 a seat (tax-deductible as a contribution to the Actors' Fund) was billed as "The Night of 100 Stars" but, actually, around 230 stars took part. And most of the audience of 5,800 had no idea in advance that they were paying to see a TV taping, complete with long waits for set and costume changes, tape rewinding, and the like. Executive producer Alexander Cohen estimated that the 5,800 Radio City Music Hall seats sold out at prices ranging from $25 to $1,000. The show itself cost about $4 million to produce and was expected to yield around $2 million for the new addition to the Actors Fund retirement home in Englewood, N. J. ABC is reputed to have paid more than $5 million for the television rights.

Long-running anthology program sponsored by Hallmark Cards. Beginning in 1951 and continuing into 2019, the series received 80 Emmy Awards, 24 Christopher Awards, 11 Peabody Awards, 9 Golden Globes, and 4 Humanitas Prizes. Early seasons were a weekly live drama, eventually transitioning to videotaped and then filmed productions broadcast as occasional specials.

Broadway royalty and Tony-winners Tommy Tune, Carol Channing, Robert Goulet, and Harvey Fierstein are your hosts for this third compilation of great musical performances from the archives of the Tony Award® broadcasts. Legendary stars from legendary shows strut their stuff in 23 performances that have become part of Broadway history.

Biographical portrait of one of Broadway's most brilliant songwriters. Told through the use of archival material and interviews with the rich and famous that knew him, this portrait concentrates on his career and his public life events.

A stage production of Hamlet filmed at the Lunt-Fontanne Theatre in New York. It was deliberately staged in the style of a "dress rehearsal", but performed in front of a live audience.

An American comes to New Orleans to get the help of a governor in catching a pirate, though the pirate in question is actually the governor himself.

The Great Ak calls a council of the Immortals to ask that Santa Claus be given immortality. And to justify it, he tells the history of Santa Claus. The Ak found an abandoned baby and gave it to a lioness and a fairy to raise, who named him Claus. When Claus grew up, the Great Ak showed him the evil and hardship in the world and Claus decides to live there and relieve some of the suffering. He decides to make toys for orphans, but King Awgwa, the ruler of the valley where Claus lives doesn't want the children to be happy, and there is a great battle among Immortals.

Broadcast live on the Hallmark Hall of Fame series on NBC, a pair of divorced actors are brought together to participate in a musical version of The Taming of the Shrew. Of course, the couple seem to act a great deal like the characters they play, and they must work together when mistaken identities get them mixed up with the mafia.

Howard Young is a coast guardsman who has been on shore duty for three years despite his efforts to be sent into action. His nearest approach to sea duty was on a harbor-moored life raft for 21 days as part of an experiment with a new type of vitamin gum for the government. He meets Christine Bradley, a SPAR, sent to take over his communications job and, by things he leaves unsaid, she thinks his life-raft experience was the result of a ship-wreck at sea.

Rodgers’ friends and colleagues pay tribute to him. Among the original Broadway cast members reprising the songs they introduced are Vivienne Segal (“Bewitched” from “Pal Joey”) and Alfred Drake (“People Will Say We’re in Love” from “Oklahoma!”). Vera Zorina dances “Rodgers in Three Quarter Time,” a ballet created expressly for the show set to three Rodgers waltzes, and Mary Martin sings “Wonderful Guy” as Rodgers himself accompanies her on piano.

Taking place in the Tower of London during the reign of King Henry VIII, this classic Gilbert & Sullivan operetta is one of their darkest and most sophisticated. Colonel Fairfax is wrongly accused of sorcery and sentenced to death within the hour. He hatches a plan to avoid letting his estate fall into the hands of his scheming cousin (incidentally, his accuser) by secretly marrying Elsie Maynard, a strolling singer. She agrees to be blindfolded during the ceremony and expects to be a wealthy widow upon Fairfax's imminent demise, leaving her free to marry her lover, the jester, Jack Point. However, Fairfax miraculously escapes his fate and chaos ensues.

A TV script about a kidnapping inspires a real-life plot.

Harold Russell, an American soldier who lost his hands in a training accident, tells the story of his medical rehabilitation at Walter Reed Army Medical Center in Washington DC, how he and his fellow amputees at the hospital at first despaired and then found new hope in the prostheses and training available to amputees through the Army's medical corps. Russell learns to wear and to operate the hooks which replace his hands and becomes competent to perform many tasks he had once thought no longer possible. Discharged from the Army, he is welcomed into Boston College by college president William J. Murphy, S.J.

Strange Victory" is about racial bias in post World War II America. Following "Native Land" in Leo Hurwitz' filmography, it uses some of the same techniques: dramatized scenes interspersed with scenes of compilation news reel footage, and scenes of evocative imagery.