Four Star Playhouse is an American television anthology series that ran from 1952 to 1956, sponsored in its first bi-weekly season by The Singer Company; Bristol-Myers became an alternate sponsor when it became a weekly series in the fall of 1953. The original premise was that Charles Boyer, Ida Lupino, David Niven, and Dick Powell would take turns starring in episodes. However, several other performers took the lead from time to time, including Ronald Colman and Joan Fontaine. Blake Edwards was among the writers and directors who contributed to the series. Edwards created the recurring character of illegal gambling house operator Willie Dante for Dick Powell to play on this series. The character was later revamped and spun off in his own series starring Howard Duff, then-husband of Lupino. The pilot for Meet McGraw, starring Frank Lovejoy, aired here, as did another episode in which Lovejoy recreated his role of Chicago newspaper reporter Randy Stone, from the radio drama Nightbeat.

The Colgate Comedy Hour is an American comedy-musical variety series that aired live on the NBC network from 1950 to 1955. The show starred many notable comedians and entertainers of the era, including Eddie Cantor, Dean Martin and Jerry Lewis, Fred Allen, Donald O'Connor, Bud Abbott and Lou Costello, Bob Hope, Jimmy Durante, Ray Bolger, Gordon MacRae, Ben Blue, Robert Paige, Tony Curtis, Burt Lancaster, Broadway dancer Wayne Lamb and Spike Jones and His City Slickers.

An anthology series that explored the ways sudden and unexpected wealth changed life for better or for worse. It told the stories of people who were given one million dollars from a benefactor who insisted they never know him, with one exception.

An American anthology drama television series hosted by Barbara Stanwyck served.

The Pepsi-Cola Playhouse is an American dramatic anthology series that aired on ABC from 1953 to 1955, sponsored by Pepsi-Cola. The show was hosted by Arlene Dahl, Anita Colby, and, finally, Polly Bergen

Cavalcade of America is an anthology drama series that was sponsored by the DuPont Company, although it occasionally presented a musical, such as an adaptation of Show Boat, and condensed biographies of popular composers. It was initially broadcast on radio from 1935 to 1953, and later on television from 1952 to 1957. Originally on CBS, the series pioneered the use of anthology drama for company audio advertising. Cavalcade of America documented historical events using stories of individual courage, initiative and achievement, often with feel-good dramatizations of the human spirit's triumph against all odds. This was consistent with DuPont's overall conservative philosophy and legacy as an American company dating back to 1802. The company's motto, "Maker of better things for better living through chemistry," was read at the beginning of each program, and the dramas emphasized humanitarian progress, particularly improvements in the lives of women, often through technological innovation.

Lux Video Theatre is an American anthology series that was produced from 1950 until 1959. The series presented both comedy and drama in original teleplays, as well as abridged adaptations of films and plays.

A singer goes to a small town for a performance before he is drafted.

Carpathian Count Alucard is invited to the U.S. by a young heiress. Her boyfriend and local officials are suspicious of the newcomer, who is interested in the "virile" soil of the new world.

A pair of bus drivers accidentally steal their own bus. With the company issuing a warrant for their arrest, they tag along with a playboy on a boat trip that finds them on a tropical island, where a jewel thief has sinister plans for them.

Schlitz Playhouse of Stars is an anthology series that was telecast from 1951 until 1959 on CBS. Offering both comedies and drama, the series was sponsored by the Joseph Schlitz Brewing Company. The title was shortened to Schlitz Playhouse, beginning with the fall 1957 season.

Olsen and Johnson, a pair of stage comedians, try to turn their play into a movie and bring together a young couple in love, while breaking the fourth wall every step of the way.

Lester and Orville accidentally launch a rocket which is supposed to fly to Mars. Instead it goes to New Orleans for Mardi Gras. They are then forced by bank robber Mugsy and his pal Harry to fly to Venus where they find a civilization made up entirely of women, men having been banished.

During World War II, all the studios put out "all-star" vehicles which featured virtually every star on the lot--often playing themselves--in musical numbers and comedy skits, and were meant as morale-boosters to both the troops overseas and the civilians at home. This was Universal Pictures' effort. It features everyone from Donald O'Connor to the Andrews Sisters to Orson Welles to W.C. Fields to George Raft to Marlene Dietrich, and dozens of other Universal players.

After a young woman is coerced into prostitution and her brother framed for murder by an organized crime syndicate, retribution in the form of an ape visits the mobsters.

George McAllister, the black sheep of a wealthy family who has squandered his share of the family inheritance, lives in constant jealousy, hatred and resentment of his half-brother Barry, who has been supporting him. George gets his girlfriend, Carlotta Duval, a job as Barry's nurse, with the idea being to marry him, kill him, and inherit his money—and marrying George.

Jane Osgood runs a lobster business, which supports her two young children. Railroad staff inattention ruins her shipment, so with her lawyer George, Jane sues Harry Foster Malone, director of the line and the "meanest man in the world".

A gang of tough street kids decide to go straight and get jobs in order to free draft-age men for the war effort. However, because of their past tangles with the law, they can't find anybody who'll hire them. Finally one of them gets a job at the department store where his sister works, but runs afoul of a store executive who is in league with a ring of hijackers.

Ole Olsen and Chic Johnson are Broadway stars who return to Universal Studios to make another movie. The mere mention of Olsen and Johnson's names evacuates the studio and terrorizes the management and personnel. Undaunted, the comedians hire an assistant director and unknown talent, and set out to make their own movie.

A golddigging femme fatale leaves a trail of men behind her, rich and poor, alive and dead.