Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

Lux Video Theatre is an American anthology series that was produced from 1950 until 1959. The series presented both comedy and drama in original teleplays, as well as abridged adaptations of films and plays.

Letter to Loretta is an American anthology drama series telecast on NBC from September 1953 to June 1961 for a total of 165 episodes. The filmed show was hosted by Loretta Young who also played the lead in various episodes. Letter to Loretta was sponsored by Procter & Gamble from 1953 through 1960. The final season's sponsor was Warner-Lambert's Listerine.

General Electric Theater is an American anthology series hosted by Ronald Reagan that was broadcast on CBS radio and television. The series was sponsored by General Electric's Department of Public Relations.

At the 1893 Chicago World's Fair, sideshow barker Florenz Ziegfeld turns the tables on his more-successful neighbor Billings, and also steals his girlfriend. This pattern repeats throughout their lives, as Ziegfeld makes and loses many fortunes putting on ever-bigger, more spectacular shows

Various MGM stars from yesterday present their favorite musical moments from the studio's 50 year history.

Kitty Carroll, an attractive store model, volunteers to become a test subject for a machine that will make her invisible so that she can use her invisibility to exact revenge on her ex-boss.

A pair of bus drivers accidentally steal their own bus. With the company issuing a warrant for their arrest, they tag along with a playboy on a boat trip that finds them on a tropical island, where a jewel thief has sinister plans for them.

Documentary about James Stewart's long career as an actor and positive personal life.

When heiress Jean Courtland attempts suicide, her fiancée Elliott Carson probes her relationship with John Triton. In flashback, we see how stage mentalist Triton starts having terrifying flashes of true precognition. Now years later, he desperately tries to prevent tragedies in the Courtland family.

Steve Grey, reporter for the Daily Star, has a habit of scooping all the other papers in town. When Henry Mander is investigated for the murder of his shady business partner, Grey is one step ahead of the police to the extent that he often dictates his story in advance of its actual occurrence. He leads the police through an 'open and shut' case resulting in Mander being tried, convicted and sentenced to death. Columnist Mary Shannon is in love with Steve but she sees him struggle greatly with his last story before Mander's execution. When she starts typing out the story from his recorded dictation, she realizes why.

This short shows how Hollywood gets ready for the world premiere of an "important" movie. The film celebrated here is Marie Antoinette (1938), which had its premiere at the Carthay Circle Theatre. We see the street leading to the theatre transformed to suggest a garden that might be seen in a French palace. This includes the placement of trees and other foliage, as well as large statues along the route. Grandstands are set up so fans can see their favorite stars as they arrive for the premiere. Finally, the proverbial "galaxy of stars" arrives in their limousines. Fanny Brice and Pete Smith make remarks at the microphone set up on the carpet outside the theatre.

This film tells the history of the United States from pre-Revolution through 1939.

On leave, a sailor falls in love with a young lady aspiring to become a Broadway dancer, but their relationship is jeopardized by an established Broadway star, who is also enamored by him.

In this espionage movie, set in Washington during WW II, the daughter of an ex-senator has become a dress model. She is approached by an American counter-espionage agent who offers her a chance to serve her country. The carefree son of a naval official receives a similar offer. He is asked to secure secret Naval plans. Unbeknownst to them, the man they work for is actually a Nazi spy. The two dupes finally figure it out, and the spy kidnaps them. Somehow they escape and break up the spy ring.

Fay Wray plays a beautiful showgirl who falls for a rich Park Avenue guy played by Phillips Holmes. William Powell is a producer in love with Miss Wray, but he won't use his influence to take any advantage... as usual, he's a perfect gentleman.

Aloysius 'Butch' Grogan leads a life of criminal activities motivated to provide for a widow and her child. He's on lookout for a gang of safe crackers when he has to also look after the baby of one of the criminals.

A suburban architect loves his wife but is bored with his marriage and with his work, so he takes up with the neglected, married beauty who lives down the street.

Looks at the stereotype-breaking films of the period from 1929, when movies entered the sound era, until 1934 when the Hays Code virtually neutered film content. No longer portrayed as virgins or vamps, the liberated female of the pre-code films had dimensions. Good girls had lovers and babies and held down jobs, while the bad girls were cast in a sympathetic light. And they did it all without apology.

Two surgeons in love with a nurse end their rivalry in the operating room.