Secretary Marilyn David falls in love with British aristocrat Charles Gray, to the dismay of her best friend, reporter Peter Dawes, who secretly loves her. When Peter learns that the already-engaged Charles has hurt Marilyn, he fabricates an article casting her as the "No Girl" who refused to marry a callous aristocrat. But when the publicity brings Marilyn unexpected fame, and Charles returns, she is forced to choose between the two men.

Jim "Lucky" Moore, an insurance salesman, comes up with a novel policy for his friend, Steve: a 'love insurance policy', that will pay out $1-million if Steve does not marry his fiancée, Cynthia. The upcoming marriage is jeopardized by Steve's ex-girlfriend, Mickey, and Cynthia's disapproving Aunt Kitty. The policy is underwritten by a nightclub owner, Roscoe, who sends two enforcers - Abbott and Costello - to ensure that the wedding occurs as planned.

Musician Adam Lemp and his four equally musical daughters, Emma, Ann, Kay, and Thea, live happily together. Each daughter has an upstanding young man for whom she cares. However, the arrival of a cynical, slovenly young composer named Mickey Borden turns the household upside-down, and romantic and tragic complications ensue.

Donald Hardwick (Dick Powell) is a stuffed-shirt, classical music professor. His family and small-town music college that he works are of equal mindset. When Don visits his black-sheep aunt in New York in order to find a buyer for his Rhapsody he is exposed to her shocking swing music crowd. His life begins to make dramatic changes after drinking a "lemonade" that turns out to be a Hurricane.

Ole Olsen and Chic Johnson are Broadway stars who return to Universal Studios to make another movie. The mere mention of Olsen and Johnson's names evacuates the studio and terrorizes the management and personnel. Undaunted, the comedians hire an assistant director and unknown talent, and set out to make their own movie.

An Eddie Cantor look-alike organizes an all-star show to help the war effort.

Lee Tracy once again plays a Winchellesque newspaper reporter in Universal's I'll Tell the World. More interested in his sex life than his career, news hawk Brown nonetheless agrees to cover the activities of a European archduke on behalf of his wire service.

A young attorney, Larry Condon, is on a retainer by a nightclub-owning gangster, to carry and deliver what he thinks are legal papers but he is innocently carrying around millions of dollars in stolen bonds. He meets Helen Griffith when she is arrested in a raid on a gambling house and befriends her. She talks him into taking her to the nightclub of the man he is working for and, while there and unobserved by anyone by Larry, he sees her going through the files and desk of the owner. Who is this mystery woman he just got released from jail, and what is she up to?

His role in the plight of an unemployed man (Humphrey Bogart) and his disabled daughter profoundly affects an intractable Irish policeman (Pat O'Brien).

Any movie that starts Jewish entertainer George Jessel as an Italian accordionist named Luigi can't be all bad. In love with the beautiful Margharita (Lila Lee), Luigi lands a job in the music store owned by the girl's uncle. Ultimately, however, our hero does the Pagliacci act when Margharita evinces a preference for handsome Pasquale (David Rollins). The film's best scene takes place in a nursery full of talented tots, a sequence that undoubtedly reminded Jessel of his days with Gus Edwards' "Schoolroom" act. Exercising his droit du seigneur, Georgie Jessel sings the title tune.

Bickering husband and wife Tim and Sally Willows mutter a few angry words to a statue who grants their wish and they wind up living each other's life.

Charming Andre Cassil woos physician Jane Alexander and the two impulsively get married. The honeymoon ends very quickly when Jane voices her progressive views on marriage which include the two having separate apartments. Andre then tries to make his wife jealous in order to lure her into his bedroom.

Two troublesome boys grow into very different men, one becoming a hoodlum and the other embracing college but both are in-love with the same girl.

Warner Baxter plays the ambitious producer of a burlesque show who rises to the big time on Broadway. Alice Faye is the loyal burleycue singer who helps make Baxter a success. His head turned by sudden fame, Baxter falls under the spell of a society woman (Mona Barrie) who has theatrical aspirations of her own. She marries Baxter, then convinces him to produce a string of "artistic" plays rather than his extravagant musical revues. The plays are flops, and the woman haughtily divorces Baxter. Faithful Alice Faye, who'd gone to London when her ex-beau was married, returns to the penniless Baxter. She and her burlesque buddies team up to pull Baxter out of his rut and put him on top again.

A profligate, polo-playing playboy (Henry Fonda) is married to a beautiful but superficial heiress (Mary Brian). They divorce, and the wife gets all the money. But the humbled (and impoverished) Fonda finds true love in the arms of Pat Paterson, who cares nothing for material things.

A new Broadway show starring Gary Blake shamelessly lampoons the rich Carraway family. To get her own back, daughter Mimi sets out to ensnare Blake, but the courtship is soon for real, to the annoyance of his co-star, hoofing chanteuese Mona Merrick.

A songwriter has to come up with a full-length theatrical piece within a few days.

On her debut as an opera star, Marion Stuart is interrogated and possibly implicated in the death of a male acquaintance. Released, although thoroughly shaken-up, Marion attempts to perform but loses her voice onstage. Humiliated, but driven to sing, she travels to South America under the assumed name of Maria Delasano, and works in an opera company under the tutelage of Feodor Glinka, who wants her to shun men and save herself for her art. Mary resists the persistent attentions of wealthy young Phil Roberts, who follows the company in hopes of marrying her. ...

A waiter who sings gets in a fight with rude customers and overpowers them. A boxing promoter sees this and transforms him into "Kid Nightingale," marketing him as a boxer who sings.

Neurotic Broadway star Al Jackson faces professional ruin when he loses his voice. While recuperating in the country, he falls in love with farm girl Ruth Haines, the pretty aunt of precocious little Sybil Haines.