Yaprak Dökümü is an award-winning Turkish television series based on the novel of the same name by Reşat Nuri Güntekin. The series premiered on 13 September 2005 on Kanal D, and endеd its fifth and final season on 29 December 2010, comprising 174 episodes overall. The show is set in Istanbul, Turkey, and it revolves around the fictional family Tekin, which their arrival in Istanbul tears their family apart, and transforms them in a way they can't imagine.

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The heir of a wealthy Cappadocian family, Arhan Alaca, falls in love with the lively Izmir doctor Deniz Dervişoğlu. Everything starts when Arhan takes Deniz to Cappadocia to meet his family. All plans go awry, and the secrets and showdowns of two families cast a shadow over the love of two young people. The balance within the family is disrupted, and Arhan is torn between his love and his family.

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No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

When five Kurdish prisoners are granted one week's home leave, they find to their dismay that they face continued oppression outside of prison from their families, the culture, and the government.

In this film that wavers unsteadily between a comedy and a tragedy, Murtaza (Mujdat Gezen) is a deluded security guard whose fanatical reverence for "duty" verges on the psychotic. He is incapable of seeing himself for what he is -- and as a consequence he is often the unwitting and unknowing brunt of jokes. His wife and daughters are painfully aware of his shortcomings, but they generally suffer in silence. One of the daughters ends up working in the factory to help the family out financially, and when Murtaza finds her sleeping on the job one night he hits her so hard she eventually dies from the blow. Though that is not the end of it, by any means.

The movie 'Family Matter' focuses on the communication problems between two white-collar brothers and their parents. It deals with the consequences of the preference of video calls to face-to-face meetings brought to our daily lives by technological possibilities, and the process of this preference leading to the disinformation of family structure, internal communication of family members and social values.

Sivan, at around the age of 20, is a native of the Southeastern region of Anatolia. His father Saho is the leader of the Givdanli tribe who stays distant both to the state and to the insurgents who are influent in the region, in order to secure its existence. One day, Sivan meets with the girl he loves, Berfin in a field around the village. The same day the field is burnt by saboteurs and the whole harvest of the village is wasted. The investigation initiated after the incident, changes Sivan's life drastically. Taken in for an interrogation, Sivan is caught between the police and the insurgents. Thinking his son's life is in peril, Saho assures Sivan's fleeing out of the country. Taken to Germany by the help of a illegal network, Sivan is located in a refugee camp. However, in this new land whose language is alien to him, Sivan will go through an ordeal which will add a new dimension to the residue of his experiences in Turkey.

Francesco and Marta run a husband-and-wife design company in Rome. When Francesco's aunt dies in Istanbul he travels there to sort out the hamam Turkish steam bath that she left him. He finds a love and warmth in his relatives' Istanbul home that is missing from his life in Italy.

A group of women in a small village get organized against the macho men of the town.

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"Yolcular" is a 1979 feature film directed and written by Yavuz Pağda, starring Halil Ergün and Meral Orhonsay.

Mavi Sürgün is a fictionalized account of one period of the life of a Turkish journalist who was condemned to exile for an article he wrote in 1925. He turned his punishment into a reward by creating a little paradise in what is today the holiday resort, Bodrum. In fact he is considered by some to be the first ecologist. The film concentrates on this latter aspect of his character and through flashbacks portrays the inner turmoil of a man who is trying to come to terms with his past. The slow pace is somewhat of a drawback, the flashbacks are often confusing and the protagonist is not always very convincing. But the photography of the country side is exceptional Kenan Ormanlar and the short appearance by a very theatrical Hanna Schygulla of Fassbinder fame adds a little spice to the drama.

Director Hüseyin Tabak explores the legacy of Yilmaz Güney — political dissident, convicted murderer, and visionary Kurdish filmmaker — who directed the 1982 Palme d'Or–winning Yol from inside prison and died in exile just two years later.