A Puerto Rican goes to New York to seek his fortune.

An inspiring, realistic portrayal of a group of female workers struggling to keep their jobs at a doomed Puerto Rican cannery. The volatile atmosphere worsens when their boss is found murdered one morning. As the investigation goes on and each of the women is questioned, the strain puts their friendship to the ultimate test.

The telenovela tells the dramatic story of Dom Pedro, a powerful and authoritarian man who opposes the presence of a Gypsy circus on his lands. In a tragic incident, he kills a member of the troupe, leaving behind an inconsolable widow, Salomé. Determined to avenge her husband's death, Salomé swaps her newborn daughter for Dom Pedro's newborn son, forging a bond rooted in secrecy and intrigue.

The film, which is an ode to Rafael Hernández's song "Lamento borincano", is a social commentary of the political and social policies of the 40's and 50's which led to the abandonment of what was seen by many as the "pure", "virtuous" life of the finca (farm) for the "corrupting" influence of urban centers like San Juan and New York City.

Dueña y Señora is a Puerto Rican telenovela based on La Dueña. It is produced by Telemundo Puerto Rico and Puerto Rico Vibra Inc., which intends to market it to the United States' Spanish-speaking residents as well.

The story of two adolescents whose love is threatened by the violence they live in their school.

A widowed man meets a younger woman at a bus stop.

Troubled divorcee Mary Kee is tormented by a series of sinister phone calls from a mysterious woman. When the stranger reveals she's calling from the past, Mary tries to break off contact. But the caller doesn't like being ignored, and looks for revenge in a unique and terrifying way...

Film consisting of five stories: "Dios los cría...", dealing with brothers' rivalry for an inheritance; "Negocio redondo", about a lawyer selling a property to the Catholic church with guilty feelings; "Entre 12 y 1", where a couple and a close friend get trapped in an elevator; "La gran noche", a night in the life of an old prostitute; and "La otra", where a man alternates between two women.

Deals with themes such as bulimia and anorexia, suicide in adolescents, male prostitution, alcoholism, single parents raising children, among others.

Amores explores the world of acting from its most basic and solitary form: the monologue. If only an actor, a text, and someone who hears it are needed to make an acting exercise, then Amores offers fourteen splendid acts from renowned professionals in Puerto Rico. Amores is composed by different monologues that, in set, offer reflection on aspects of love.

When a driven HR exec loses her high-powered job, she travels to Puerto Rico in an attempt to save her career at a business conference. But as the trip quickly becomes a disaster and a hurricane shuts down the whole island, she meets a handsome world traveler who gives her a new perspective on finding passion in life and love.

Joseph Lando, the Hercolobus man himself, fights all sorts of mystical mayhem in this over-the-top yet delightful Puerto Rican classic.

Juan is subjected to shock treatment in the hands of Dr. David, and apparently is able to resume a "normal" life. He and his wife María make dolls in a workshop attached to their apartment in New York. However, John does not heal and he starts looking for the nurses to murder them.

The film follows the exploits of a small gang of jewel thieves who employ a little person as their ultimate tool.

A young woman flees just before her wedding day and disappears to avoid facing the consequences of her actions.

A comedy narrating the adventures of ten Puerto Ricans looking for a better life. The film centers on an airplane trip to New York during 1960's. It relates in a comical, yet poignant manner, the array of reasons each of the passengers has for leaving Puerto Rico and the challenges they face as suggested by the interactions of the Anglo crew and the passengers.

Santiago, a retired accountant, casually meets Angelina during one of his daily walks in Old San Juan. They soon become friends, even though she refuses to give out any personal information.

Marcelino is an eccentric, introverted painter and art professor who, approaching his sunset years, learns he has a disease that could render him blind at any moment. As he begins to put his emotional affairs in order, including his strained relationship with his daughter, he must face the inevitable.

Quinn shows up at an apartment building in Paradise, a small backwoods community in Puerto Rico, purporting to be the new caretaker the owner has been expecting. He gets right to work, making a good impression on everybody, except Gus, the reclusive teenage gas station attendant. Soon, sinister things come to pass