Corporate smuggling of South American killer bees into the United States results in huge swarms terrorizing the northern hemisphere. A small team of scientists work desperately to destroy the threat, but the bees soon mutate into a super-intelligent species that threatens the world.

In 1528, a Spanish expedition flounders off the coast of Florida with 600 lives lost. One survivor, Alvar Nunez Cabeza de Vaca, roams across the American continent searching for his Spanish comrades. Instead, he discovers the Iguase, an ancient Indian tribe. Over the next eight years, Cabeza de Vaca learns their mystical and mysterious culture, becoming a healer and a leader. But soon this New World collides with the Old World as Spanish conquistadors seek to enslave the Indians, and Cabeza de Vaca must confront his own people and his past.

On a whim, a retired gentleman decides to track down an old girlfriend from decades back.

A cop sets out to find a man who has been delivering too much of a good thing in this offbeat comedy. Police detective Martinez (Jesus Ochoa) has been handed a most unusual case -- a number of local prostitutes have been murdered, and it's up to Martinez to bring in the killer. What makes the case truly unusual, though, is the manner of death; it seems the hookers all died as a result of having orgasms so powerful they were literally fatal. Teaming up with cultural anthropologist Onofre (Daniel Giménez Cacho), Martinez hits the streets looking for clues, and eventually gets some unexpected help from Father Gorkisolo (Santiago Segura), a priest with a unusually deep knowledge of sexual matters. Asesino en Serio was the first feature film from director Antonio Urrutia; noted Mexican filmmaker Guillermo del Toro served as executive producer.

Chronicle of the repression that a foreign company exerts on the miners of a small nitrate town in Chile, whose workers decide to claim their most essential rights. A reflection of the historic union struggles in the northern Chile that ended with terrible repressive acts.

A fairy tale about the political and socioeconomic realities of Mexico.

Three episodes: 1) "A Christmas dinner" where the family members fantasize about being somewhere else. The fetishist father wants to put on feminine clothes. The son longs for another transvestite adventure. The daughter yearns to be a singer and destroy the saints of the church with her voice. The youngest son wants to stab everyone dead. 2) "Game of mirrors". Two young classmates kiss on a picnic, but the girl's brother accuses the couple of being immoral. Bizarre things develop. 3) "Tetrahedron". A very fat man faces his girlfriend's longing for love.

In 1916, a group of prisoners plot their escape from the notorious fortress located in French Guiana.

Dolores is a mature and kind woman whose husband abandons her because he can't stand her uncanny generosity. Desperate to get her husband back, she devotes her life to works of charity, which is to go to bed with the other men of the town. Dolores, now "Lolita", becomes so famous that all men seek out her help now. It is through her compassionate sex that she brings back the colour and the happiness to a town that was immersed in sadness. Written by HoMordomo.

Chelo is an architect, withdrawing from her social life because of realistic dreams she's having of a romance with a strange man. She's convinced the man is real, out there, destined to be with her. She reports a rape to the police, describing the man of her dreams to a sketch artist. The police find a suspect: he's Marcos, a physician. Chelo tells the police this is not the man who raped her, but now she has Marcos in her sights. Her plan for him to fall in love with her is complicated by his having a fiancée. What can Chelo do? Meanwhile, Marcos has violent dreams about an unfamiliar woman. Chronologies overlap, glass breaks. Can a mind lie to itself?

The husbands of a charismatic nurse devise a plan to free her from prison when she is arrested for being a polygamist.

This film is a chronicle of painter Frida Kahlo, and her encounter with the personalities of her time. Despite being confied to a wheelchair as a result of polio, operations and amputations, she faces and traces some of the most colorful and controversial aspects of Mexican history, during the dominant time of Mexican muralism.

On an island across the sea lies a village full of romance, wonder and mystery; a timeless place where people carry strong beliefs that can fulfill the heart's deepest desires. A beautiful ...

A Romanian aristocrat retreats to a desert isle with his wife and servants on the eve of World War II.

In the wake of the Mexican Revolution, a band of pre-teen boys are forced to rely on their own resources for survival.

Alejandra and Ana are college friends, both are virgin and hope to find the love of their life soon. Ana meets Miguel, but they agree to just be friends. Alejandra meets Esteban, a well known womanizer.

Lucia, an children's book author, tells the story of her husband's disappearance. One day on their way to Brazil he just disappears. She goes to the police, gets a ransom note, and makes friends with the old dude downstairs and the young dude upstairs as she tries to find him. Things take a bit of a twist as she realized the kidnapping may not be as simple as it seems on the surface.

Five elderly men form a music group and run away from the nursing home where they are interns with the hope of playing for an audience. They confront th city, the nursing home authorities, the police and all those who wish to destroy their dream which finally comes true when they are contracted to serve as musical background for strippers of a second class cabaret. In case i never see you again, is a movie about life, death, melancholy and the quest for happiness.

The legendary life of Mexican singer Lucha Reyes is the basis of this fictionalized biography ( or as director Arturo Ripstein puts it "an imaginary biography"). Lucha Reyes was an unconventional, and sexually liberated woman, most famous for her "cancion ranchera" style singing. Her story begins in 1939, where at 33 she still lived at home with her mother, Dona Victora, the madame of a renowned Mexico City whorehouse. Lucha marries the liberal Pedro Calderon and then buys a beggar's daughter. She becomes the mother to this child, Luzma. Lucha craves lasting love like junkies crave heroin. But for her loyal daughter, she never finds it and in the end no one can help her.

A dramatization of John Reed's newspaper accounts of the Mexican Revolution. Considered the first real film in Mexican cinema to be made on the Mexican Revolution.