About the uprising of Ukrainian peasants under the leadership of the national hero Karmelyuk against landowners and Polish gentry. In the 1830s, Young Count Piglovsky returns to his estate from Paris. The carriage in which he is riding is surrounded by rebellious peasants. Their attempt to hang the master is canceled almost at the last moment, because it is not the count in the carriage, but his lackey - Ustym Karmelyuk. Ustym really serves as a lackey in the count's house and at the same time leads a peasant uprising. The government sends the army. In a fierce fight, Karmelyuk is almost captured, but he is saved by one of the serfs.

This revolutionary epic likens the push for industrialization of Soviet Ukraine with the battle for Perekop during the Civil War. A missing plow blade is presented as a symbol of the country's backward peasant economy that needs to be transformed in the course of the industrial construction. In an onslaught of rapidly changing images, Ukrainian village with its peasants suspicious of everything new, dramatically collides with the frenzy of working factories, plants, and mines.

Lost film directed by Oleksandr Dovzhenko (his first film) and Favst Lopatynskyi. It is a satire of the NEP period. Vasia, the son of a factory’s worker, is attracted by the romance of adventures. And he goes to look for them. He saves a drowning drunkard who tries to beat him. Vasia escapes from him in a vehicle parked on the shore. However, the vehicle belongs to a superintendent who, when he does not find it, stages its theft. Meanwhile, Vasia exposes priests in the church. As a result, the church is turned into a cinema, and the priest becomes a cinema technician. And finally, Vasia’s last deed is catching a criminal at home and denouncing him to the militia.

A young farmer Ivan and his lazy father Stepan try to help with the construction of the Dniprohes, but he learns that strength is not enough for a worker and joins the Communist party.

A political satire on one of the enemies of the Soviet regime, the leader of the English Labour Party, James Ramsay Macdonald. The plot unfolds at a fast pace, using grotesque satirical techniques to prove that the royal power in England is a fiction.

A Russian outpost in Eastern Siberia comes under threat of attack by the Japanese. Aerograd is a new town with a strategically located airfield of vital interest to the government. Work on the new outpost is complicated when tensions develop between workers and a religious sect. Relations between the two countries are further strained in the days before World War II, dating back to the Russo-Japanese War of 1905.

Based on the Mykhailo Kotsiubynskyi’s novel. At the distillery farmers begin to strike. Local rich men without punitive detachment begin reprisals from rebels. Punitive detachment of dragoons, who called from the city, only completes the massacre.

A Soviet propaganda film based on material from the Bolshevik coup. During the Russian civil war, the Whites, that anti-Communist force that fought against the Bolsheviks during that period, capture a Jewish Ukranian village; the gang commander threatens a pogrom, and will kill everyone in the village unless the inhabitants agree to give to the White Officers five virgin girls in wedding dresses. Under such terrible pressure, the Jewish council of the town decides, full of sorrow and despair, to sacrifice their daughters to the drunken officers but fortunately and just in time, a detachment of partisans that belong to the Red Army, comes and frees the village.

It is a history of founding Odesa at the location of former Turkish fortress Khadjibey.

The first years of industrialisation. Disguised as a hunter, an ex-White officer Poloz, who is connected to the international intelligence, is hiding in the forest where the construction of a new power station has begun. An intern making photos of the buildings suddenly notices Poloz. Frightened to be exposed, Poloz kills the guy and makes a cut in the base of the scaffolding of the main building of the power station. In face of a failure, counting on his ex-wife Katia’s help, Poloz kidnaps a 10-year-old boy. Hrai, an engineer and the father of the kidnapped boy, finds Poloz’s hiding place in the forest, and his assistant Varrava shoots the White officer at that very moment when he tries to explode the main building of the power station. The film is lost.

Historical-revolutionary film about the struggle of the Bolshevik underground against the interventionists during the civil war in Odessa, about the participation of children in underground work.

Neighbors, priest Sylvestr Izhekheruvymskyi and deacon Hordii Sviatoptitsyn, had a bloody feud with each other over a cherry tree that grew on the border between them and one day unexpectedly bore abundant large juicy berries. As of 2020, the tape is considered lost.

After a pacifist artwork incurs the displeasure of totalitarian state authorities, its creator is accused of the murder of a state official.

A propaganda film on the mechanization of Donbas mines.

Adapted from the opera written by the composer Semen Hulak-Artemovsky.

A comedy about the happy life of Ukrainian collective farmers. Harvesting in one of the Ukrainian collective farms. The tractor driver Pavlo and the best collective farmer Marinka work perfectly. They love each other. I like not only Paul. The official and adventurer Kovynko has long been yearning for the Marinka and building all sorts of intrigues to the Komsomol members.

On the upbringing of a sense of camaraderie in Soviet schoolchildren.

The action takes place in the late 1920s in Ukraine. The exposure of a counter-revolutionary agent who has infiltrated the Soviet scientific community. The film has survived without the 6th part.

A Soviet propaganda film. The director of the Museum of Ukrainian Culture, Professor Kornienko, stays away from politics and tries to work with his daughter in what he considers to be "pure" science. That is why he treats the revolutionary events as an unfortunate but passing phenomenon. His main concern is to preserve the heritage of the people at all costs, even by smuggling some of it abroad. Gradually (not without the influence of the Red Commissar and his own daughter), Professor Kornienko comes to the conclusion that the revolution is not an enemy of culture.