Inside a darkened house looms a column of TVs littered with VHS tapes, a pagan shrine to forgotten analog gods. The screens crackle and pop endlessly with monochrome vistas of static white noise permeating the brain and fogging concentration. But you must fight the urge to relax: this is no mere movie night. Those obsolete spools contain more than just magnetic tape. They are imprinted with the very soul of evil.

Addled prescription drug addict Daniel finds himself unraveling further under the stress of a recent breakup. Worse yet, he lives in a house haunted by nightmarish events from the past, images of which torment him in terrifying dreams. This hallucinatory horror film leaps off the screen with its disturbingly vivid visuals.

Laura is in love with a man who hasn't quite noticed her yet. He's clearly not very observant, since she's been stalking him for days. The first in Adam Wingard's "Forgot My Meds" trilogy of short films.

Samantha, Lydia, Isabella, and Lisa. These four young women are about to learn that humanity is just an irrelevant flame burning nowhere in the vastness of space. Their dreams will be shattered and one man will marvel at the evil he has committed.

An anthology film consisting of four segments, entitled "Hot Boys," "The Sleep Creep," "The Meat Man," and "Silver Bullets," each of which obliquely dramatizes an incident of sexual assault. The four stories take place in the same small American town on four different holidays: Halloween, Thanksgiving, Christmas and Valentine's Day. "What Fun We Were Having" screened publicly once at the 2011 Fantasia International Film Festival, but received no further distribution.

Laura Panic is convinced that her boyfriend comes from outer space. Something will have to be done about it. The third in Adam Wingard's "Forgot My Meds" trilogy of short films.

Short film by Adam Wingard.

Mary has a problem. And it’s right in front of her. It’s in front of everyone else too, only they haven’t recognized it yet.

In 1993, Alabama based amateur filmmaker Warren Werner shot his first feature film, Pumpkin, on VHS. With a budget of only $600, a cast of friends, family, and unknown talent, the movie premiered at the local civic center and generated an immediate backlash from the community. Rumors that Warren and his girlfriend Samantha Dixon engaged in Satanic rituals began to spread throughout town. In the months following the premiere, Warren and Samantha committed suicide. The following year, another group of filmmakers began shooting a documentary about the deaths of Warren and Samantha. The documentary project was never completed, and Pumpkin was never released. The Nobodies is Warren Werner's Pumpkin, in it's entirety, cut together with the remaining documentary footage of the director's life and death.

A young woman disappears from her home after recording a video message in which she implores her parents not to worry, leaving the people who know her to speculate as to her motivations. "Don't Worry" was written, shot and edited in 48 hours for the Sidewalk Scramble film festival, and went on to win Best Film, Best Director, Best Editing, and Best Cinematography.

Jacob finds a recording of a blues singer from the '60s in his basement. Ignoring local warnings, Jacob looks into the singer's life and death but ends up connecting with an evil spirit.