BREAKING HER WILL follows the path of one of the most twisted villains ever to appear on screen. What he does to his captive hitch hiker creates an atmosphere of utterly demented sleaze. Written by Bill Zebub

A scientist with nefarious intentions seeks to dominate the world using his vast expertise in robotics.

Rachel's lover has been secretly using penis-enlargement cream that has an unusual side effect which ultimately leads to an abomination. Meanwhile, Vanna supports her boyfriend Dick, who is a modern-day Victor Frankenstein. The search for the rampaging monster intensifies as more victims fall prey.

In this extreme sexploitation horror shocker, a psychotic priest travels through a seemingly idyllic suburban landscape and uses his collar to secure the trust of a series of beautiful young women before subjecting these poor beauties to increasingly sadistic bouts of sexual assault. Director Bill Zebub has trimmed all of the filler from the standard serial killer movie and replaced it with a near constant barrage of depraved sexual horror. "Most serial killer films favor soap opera dialogue and speculation-depictions of the killer doing anything but the vile deeds for which he became famous. This movie shows ONLY the deranged part of the serial killer's story." - Bill Zebub WARNING: This film contains graphic nudity and sexual assault and in intended only for mature audiences.

You have never seen bands interviewed like this! Most metal celebrities never expect journalists to ask the most bizarre questions ever imagined, that is, unless they are familiar with "The Grimoire of Exalted Deeds: magazine. Editor "Bill Zebub" has conducted some of the most outrageous metal interviews in history. Whether he irritated the bands or made them laugh, his antics made for interviews that you couldn't stop reading, and now the craziest moments have been compiled in one gigantic collection! METAL RETARDATION says it all. Are you ready to become METALLY RETARDED?

Puppets live alongside humans peacefully, but suddenly their behavior becomes depraved. Is such criminal activity rare, or is the media blowing things out of proportion, making cops look like sadistic gunslingers and causing people to distrust them, each other, and most of all, puppets. Is the apocalypse coming, or is the fear-mongering just a great way for News programs to get advertising money? Wait – that makes this movie sound like a serious allegory. Change that. This movie has more wtf moments than you can imagine. It’s high brow and low brow at the same time.

Captives find themselves at the mercy of a lunatic who dresses like a clown. He does not seem to be aware that his amusement is terrifying to the victims who are forced to participate in his games of degradation. As frightening as his lack of empathy may be, he has an even scarier personality when he gets angry.

A millennial happens to be the son of a mob boss. He has to decide whether to join the mob, or to live life without privilege. The leftist indoctrination from school, media, and social networks makes it hard for him to understand the right wing leanings of his father. Will he trade one form of brainwashing for another' If comedy is a social mirror, then this movie is a social circus-mirror.

A woman who is researching alien abductions for a book receives increasing reports of nocturnal attackers who are described as resembling Santa Claus. She enlists the aid of a scholar of mythology to see if the legend of Santa has a darker side, and what she discovers is more horrifying than she could never have expected.

At the beach, a pumpkin washes ashore and is promptly and cruelly destroyed by two young women frolicking on the sand. When they crush the pumpkin, their legs are covered in an inexplicable red liquid. Fast forward to Mischief Night when these same two women and their friends find themselves being stalked by a killer Pumpkin Man. Is he just a sicko in a costume or something more bizarre that has marked them for death?

We're thrown into a world of metalheads unlike those in Hollywood. Mainstream movies about metalheads are actually showing you posers, not metal people. Hollywood only understands the mainstream, so their idea of metal is the pop and glam garbage. In the words of slacker Bill, the only time that a song should have the word 'baby' in it is when the song is about killing babies.

Nearing the end of WWII, Nazis realize that their defeat is imminent, so a handful of them board a plane bound for Argentina, where they plan to live in hiding. During the flight, lightning hits the plane and the SS parachute onto an island populated by savages. Atrocities await.

This is a comedy about a guy who watches an awful DVDr that was made by one of those fake directors who sell their crap at horror conventions and decides that he too will make a bad movie and sell it for $30 a copy.

A sadist lures fledgeling actress to his den of horrors, promising them fame if they act in his "snuff film." They realize only after they are tied up that he really means to torture, rape, and kill them for all to see.

S&Man (also known as Sandman) is a 2006 pseudo-documentary film that examines the underground subculture of horror films. It combines real interviews with indie horror film makers and a scripted plot that does not immediately come into focus until the second half of the film.

A silent villain commits horrifying crimes in a spree that would even make a demon cringe.

If you think it's funny to watch a drunkard, think of the fun you'll have watching someone on acid. This movie follows a doomed character who can't seem to go a day without tripping, venturing into one misadventure after another. Yes, taking acid can make a normal routine, like going to work, seem like an odyssey, complete with monsters (toilet sharks), perils (the sidewalk turning into an inferno), and beautiful maidens. Peter Steele from Type O Negative guest stars in this unusual comedy.

Rampaging army ants have nested inside a living human body, whose unwilling host discovers that when he's attacked, the ants defend their home. Thus begins a tragic tale of what happens when the powerless become powerful.

Notorious director "Bill Zebub" ("Assmonster") set out to spoof science fiction movies. He noticed that Star Trek had social messages woven into the stories. He thought jokingly "What if I weave ANTIsocial messages?" Not letting the joke fade, he wondered if there were anything in modern times that he could target, and the answer came fast. Political correctness.

An axe-wielding maniac shreds party-goers.