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La Garçonne is a 1957 French film directed by Jacqueline Audry. It follows Monique, an ingenue and a clueless girl who believes in true love. When she discovers her future husband has a lover, she rebels against her bourgeois life:s he will lead a free and wild life and she will live like a man. Soon she becomes the toast of Gay Paris, sleeping with all the men around, and even with a woman.

Bobosse is increasingly immersing himself into the world of theater and experiencing his role as an actor more intensively. He plays in a piece where a man is abandoned by his wife and processes this philosophically. When his wife actually abandons him, he becomes embarrassed and plans to kill her.

A good cast smooths over the rough spots of Les Heros sont Fatigues. The scene is the African republic of Liberia, which in this film proves to be a stopping-off point for a number of shady characters. Yves Montand plays a French ex-pilot who becomes involved in a scheme to smuggle stolen diamonds. His cohorts include a Nazi collaborator, a German refugee, and the white mistress of a prominent Liberian. A romance develops between the ex-pilot and the aforementioned mistress. Meanwhile, one of the conspirators (Curt Jurgens) has a last-minute attack of conscience, effectively queering the deal. The steamier romantic passages in Les Heros sont Fatigues had to be trimmed for American consumption.

A teacher runs an ad in the newspaper to find a wife. Afraid of beautiful ladies, he weds an ugly woman. After a car accident, he meets a doctor who offers to reveal his wife's beauty.

Raven, a mobster just released from prison, settles the score by murdering Mendetta and her partner, who had turned him in. Having taken over Mendetta's various bars, he finds himself at war with other mobsters who want to kill him.

A bossy count has trouble marrying off any of his six sons. When one of them, Adam, finally makes wedding arrangements, something happens to his bride to be: she develops amnesia after an accident.