A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.

Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own “nation of cinema,” a vital community existing outside the dominance of commercial film.

My Hand Outstretched to the Winged Distance and Sightless Measure is a film cycle by American avant-garde filmmaker Robert Beavers. It consists of eighteen films in three parts. The films were made from the late 1960s through the early 2000s in different European countries, particularly Greece, Switzerland, and Italy. Most of the works in the cycle are radically re-edited, condensed versions of the original films. The cycle premiered in its entirety in 2005.

Filmed in a Brussels hotel room, Beavers alternates between his work desk and lying nude on the bed, while rapid cuts and superimpositions conjure a rush of street scenes and fleeting encounters. The film abandons narrative for a psychic montage of memory, desire, and urban impression.

A exploration of the origin, theory, philosophy and themes of Stephen Dwoskin's films from 1963 to 1984.