When a girl is murdered soon after leaving a closed religious community, Moreno faces a difficult investigation as the community closes ranks and refuses to cooperate. When another girl is abducted and her bloody fingernails mailed to the police, tongues begin to loosen.

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When the body of a wealthy wine merchant washes up on a beach with multiple stab wounds, police fear a media frenzy. But the quick arrest of the man's former partner in the face of damning evidence promises a quick resolution to the case.

Van Veeteren finds retiring from the police force is easier said than done when two decapitated bodies are found in quick succession. The matching MO in the two grisly murders brings the investigation teams of Maardam and Kaalbringen together - a collaboration that is not without its problems.

The daughter of a murdered private detective comes to Van Veeteren for help with a case that might be linked to Van Veeteren's only unsolved case.

Carambole is the story of a doctor, in love and happy, who one rainy night accidentally hits a young boy with his car and drives away when he sees the boy is dead. Some days later he receives a letter telling him that someone knows what he did, and want money for his silence. And after that it just gets messier for the good doctor...

A descent into hell, Jesper Ganslandt's disturbing and suspenseful second feature begins with a man waking up in unfamiliar surroundings, only to find the life he knew the day before is gone.

Münster stumbles upon the body of a young woman who has been strangled in her home and surprises the killer, who is still at the scene. The killer flees, but an unusual book is found at the scene, dedicated to the killer. When another victim is found, Van Veeteren's literary expertise is put to the test when it becomes clear that they are dealing with a serial killer who chooses his victims based on the names of characters from 19th-century crime novels. What will be the name of the next victim?

Sanna has broken up with her boyfriend Jon. Because her father is in the hospital, she moved into her father's apartment. In his dresser drawer, she finds clipped obituaries of his colleagues, who all seem to have died prematurely. Sanna crosses one border after another, approaching a total collapse of her obsession with truth. In the end, she takes the law into her own hands.