
Algeria is written in the feminine. In a society where the gaze is only masculine, another eye is nonetheless present… The feminine gaze—unsettling, disturbing modesty, breaking taboos, freeing speech… It emerges from the shadows: with Assia Djebar, Algerian writer-historian, we go to meet Algerian women of all generations to enter into their lives, their daily routines, this world where the gaze is supposed to be forbidden. These women tell their own stories, imposing their gaze on the camera for a journey into this half of Algeria condemned to silence… to a clandestine life.
Directed by Kamal Dehane, Assia Djebar, entre ombre et soleil leans on a strong ensemble — Assia Djebar — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about documentary titles of 1992.
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