
Because the muse doesn't want to kiss them in the city, musicians Theo and Bert jet out into the countryside. A bell-like voice from the stables promptly catches their attention. But instead of a fair beauty, they find a dirty stable boy. Amused, they choose him as their servant. The boys have no idea that the boy is Liesel, the charcoal-burner's daughter in disguise.
Directed by August Rieger, Hohe Tannen leans on a strong ensemble — Gerlinde Locker, Pero Alexander, Harald Dietl — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about music titles of 1960.
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