
The friendship between two children is threatened by their parents’ differences. Malú is from a family that was upper-class before the Revolution and remains well-to-do through remittances from relatives overseas, and her single mother (Larisa Vega Alamar) does not want her to play with Jorgito, as she thinks his background coarse and commonplace. Jorgito’s mother (Luisa María Jiménez Rodríguez),
Directed by Juan Carlos Cremata Malberti, Iraida Malberti Cabrera, Viva Cuba leans on a strong ensemble — Malú Tarrau Broche, Jorgito Miló Ávila, Luisa María Jiménez Rodríquez — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2005.
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When his mother dies, young Peter Ibbetson leaves Paris and his best friend, Mary, behind to live with a severe uncle in England. Years later, Peter is an architect with little time for women, until he begins a project with the Duke and Duchess of Towers. When Peter and the duchess become great friends, she reveals that she is Mary — but the duke soon suspects his wife of infidelity and challenges Peter to a duel, threatening the pair's second chance.
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