This series examines the events leading up the brutal murder of Dominican activist Minerva Mirabal and her two activist sisters, on the orders of dictator Rafael Leónidas Trujillo. The heinous crime would set in motion not only the end of a vicious regime, but also come to mark the global fight against gender-based violence.

Ernesto Guevara, known as 'Che', leads a group of Cuban exiles under Fidel Castro in a revolution to overthrow Fulgencio Batista, the dictator of Cuba.

Three stories, loosely inspired on short stories from classic Boccaccio’s Decameron, are connected by a creatively-bankrupt writer who offers money in exchange for original subjects.

Cuba, early 21st century. Mandi is a young art graduate who returns to his small coastal town to complete his community service. There, he must confront a local reality that clashes with his aspirations and ideals, placing him at a crossroads between avoiding confrontation within an oppressive political context and pursuing personal and artistic freedom.

It's an open wound. With Estrés, Marilyn Solaya doesn't seek to tell stories: she exposes them, shakes them up, leaves them unanesthetized. In six intertwined stories, the director turns everyday life into an emotional battlefield, where poverty, love, illness, and dignity clash relentlessly.

Roberto Hurtado suffers from a rare disease that requires massive transfusions of blood from children or adolescents. His son blackmails three employees to get blood for him and they resort to unscrupulous methods to obtain it.

A world record, an accident, a heroic act, a matter of scientific interest. All this happens simultaneously. The editorial board of the newspaper La Avanzada must decide what goes on the front page.

In a tenement in a poor Havana neighborhood, four men are playing a game of dominoes: Rodríguez and Nicanor versus Sangremono and Pepe “the Victim.” Once the game has begun, Rodríguez suddenly mentions that he has heard some astonishing news that concerns the future of the country and every one of its inhabitants…

While Havana is full of zombies hungry for human flesh, official media reported that the disturbances are caused by dissidents paid by the United States. Panic seizes all until Juan comes to the rescue: he discovers he can kill the undead destroying his brain, and decides to start a small business under the slogan "We kill your loved ones."

Amor Crónico follows Grammy-nominated, Cuban-born CuCu Diamantes as she embarks on a whirlwind tour of her home country. Interweaving glamorous live performances with a fictional romance, the film pays tribute to the history of cinema in surreal fashion. Backed by a high energy Latin soundtrack, Cucu's journey is a visual love poem to the sites, sounds, and people of Cuba.

In 1950s Havana, a romance blooms between two young revolutionaries whose clandestine printing press publishes pamphlets meant to stir up rebellion against the dictatorship of Fulgencio Batista. As their popularity grows, so, too, does their revolutionary zeal and their desire to mobilize other urban guerilla units.

Javier is an actor with an affinity for writing. When he begins his love story with Luisita, he does not know where the truth begins and ends. Fifteen years later he has converted his story into literature that relates his tragic love story in a creative way.

A lesbian, an aspiring actor, an aspiring singer, a low-class marriage, a neighborhood community and 2 renowned directors have memorable less-than-24-hour-long experiences while living in/visiting the capital of Cuba.

When his estranged father returns, a hairdresser is forced to quit performing at the local drag club.

Nicanor, a Health Ministry employee, returns from a trip to Germany bringing some sex toys with which to spice up his marriage. His wife Ana is reluctant at first, but Nicanor insists on using the devices and talks to his friend Rodríguez, who speaks German, to have him translate the instruction booklet. However, the shortages and the need to survive in today’s Cuba will play one dirty trick after another on them…

Cuba, 1961. A young teacher arrives with the intention of teaching a peasant family to read and write…

The friendship between two children is threatened by their parents’ differences. Malú is from a family that was upper-class before the Revolution and remains well-to-do through remittances from relatives overseas, and her single mother (Larisa Vega Alamar) does not want her to play with Jorgito, as she thinks his background coarse and commonplace. Jorgito’s mother (Luisa María Jiménez Rodríguez),

At the elementary school where Evita, Nicanor’s daughter, studies, the parents are instructed that the children must bring photos of various independence heroes for an important activity the next day. That night, when he discovers that they do not have any photos of heroes at home, Nicanor will have to go out and look for them, no matter what it takes.

As Havana slowly revolves through the year, wistful detective Mario Conde probes the sultry heart of the city to investigate dark and deadly crimes.

Nicanor has been arrested for doing graffiti at three in the morning. Against all logic, the graffiti is in favor of the government. The police captain who interrogates him—a cultured policeman, for a change—tries to understand why he does it.