
Raj Kumar is an honest, handsome and intelligent young man. Working as a painter, he is unable to earn a living. One day Raj finds a wallet containing money and returns it to the man it belongs to. Impressed by his honesty, the man employs him to work in his office as a clerk.
Directed by Hrishikesh Mukherjee, Anari leans on a strong ensemble — Raj Kapoor, Nutan, Lalita Pawar — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 1959.
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A man in his mid-20s, still living at home with his mother and stepfather, puts all his eggs in one basket: the girl who works at his local coffee shop. The problem is, she has a serious boyfriend. As they become closer, the line between friendship and intimacy is blurred, and the situation forces both to examine where they are in their lives.
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