
Three flatmates in Mexico City face uncertainties: Lucía who has a great job as an art director for TV commercials is abusing alcohol and cocaine. She risks losing her job, going to prison for assault, and she's woefully in love with a bullfighter who may be two-timing her. Carmen, an artist without income, can be manic - snorting lots of cocaine and hanging out with a gay man and a transvestite. What's her future? Hanna contemplates divorce from Abraham, a wealthy momma's boy, and she's disoriented by feelings of attraction to Sandra, a customer at her jewelry store. Can any of these poor little rich girls sort things out in a world of excess?
Directed by Teresa Suárez, On the Edge leans on a strong ensemble — Ana de la Reguera, Ingrid Martz, Gabriela Platas — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2006.
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Mexico City, November 1901. The police raid a private home where a secret party is being held. Among those attending is the son-in-law of President Porfirio Díaz.
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