Reality show that addresses the most important drag competition in Mexico, created by La Gran Diabla Producciones, which aims to exalt the national and Hispanic drag art, exalting our culture with a lot of sparkle.

No synopsis available yet.

Three flatmates in Mexico City face uncertainties: Lucía who has a great job as an art director for TV commercials is abusing alcohol and cocaine. She risks losing her job, going to prison for assault, and she's woefully in love with a bullfighter who may be two-timing her. Carmen, an artist without income, can be manic - snorting lots of cocaine and hanging out with a gay man and a transvestite. What's her future? Hanna contemplates divorce from Abraham, a wealthy momma's boy, and she's disoriented by feelings of attraction to Sandra, a customer at her jewelry store. Can any of these poor little rich girls sort things out in a world of excess?

A cop sets out to find a man who has been delivering too much of a good thing in this offbeat comedy. Police detective Martinez (Jesus Ochoa) has been handed a most unusual case -- a number of local prostitutes have been murdered, and it's up to Martinez to bring in the killer. What makes the case truly unusual, though, is the manner of death; it seems the hookers all died as a result of having orgasms so powerful they were literally fatal. Teaming up with cultural anthropologist Onofre (Daniel Giménez Cacho), Martinez hits the streets looking for clues, and eventually gets some unexpected help from Father Gorkisolo (Santiago Segura), a priest with a unusually deep knowledge of sexual matters. Asesino en Serio was the first feature film from director Antonio Urrutia; noted Mexican filmmaker Guillermo del Toro served as executive producer.

A contemporary documentary that highlights and supports the beauty of young Mexican women with indigenous features who face limited opportunities in a country where the dark-skinned majority struggles against the privileges of the white minority. The film explores themes of racism, classism, machismo, discrimination, and cultural heritage, reflecting on Mexico's rich traditions and historical wounds.

Jimena, like Hannia and Sofía in the first two parts of this trilogy, is the thread that connects the documentary. Gradually, we learn about the life of this young ballet dancer, her desires, experiences, and concerns. Additionally, a series of questions, sayings, and common phrases from Mexican culture are used to engage in dialogue with her and the other participants.