Mata que Dios perdona

Set in Cuba in early 1959, although the historical context is deliberately avoided in its epic backdrop, the story follows the persecution of a poor guy who owes a few pesos to a loan shark and a thug who swear to get even with him, not so much because of the unpaid debt as because they don't want to set a precedent. The man's name is Miguel, and he seems to care as much as Santiago Nasar that the killers are hot on his heels with their half-tone shoes. On the day of his "double crime" (the story recreates those 24 hours), he has a couple of drinks in a bar, argues with his ex-lover, has sex with a young prostitute, puts up with a scolding from his friend Pedro for being negligent, walks, urinates, goes to bed...

Directed by Ismael Perdomo, Mata que Dios perdona leans on a strong ensemble — Broselianda Hernández, Cheryl Zaldívar, Jorge Alí Pérez — to carry a story that balances spectacle with character.

The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 2006.