
The six-hour essay in four parts examines the history of regimes and revolutions, leaders and martyrs, from a philosophical perspective. The collage of personal memories, staged scenes and archives of collective memory compares the Prague Spring to the Velvet Revolution and shows the exposure, conflict, crisis, and catharsis of the post-communist society. Democracy can be saved through creative laughter, dissolving the untouchability and hypertrophic egos of the representatives of state institutions. The Internet frees the society from representatives of the non-functional connecting link that prevents direct communication between citizens and institutions of power. “I can see you until I spot you. Once I spot you, I cannot see you anymore.” K. Vachek
Directed by Karel Vachek, Communism and the Net, or the End of Representative Democracy leans on a strong ensemble — Karel Vachek, Jiří Brožek — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about documentary titles of 2019.
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