An elderly paper-crusher branded a fool in Prague secretly stashes condemned books, preserving their contents and extrapolating from them eccentric scenarios of wit.

Documentary about Barrandov studios.

The distinctive artist, typographer, and writer Josef Váchal is known to the public primarily for his Blood Novel. The surrealistic exuberance of this defense of 19th-century pulp fiction caught the attention of Jaroslav Brabec and his colleagues, who found a corresponding image of 20th-century "trash." The authors' interest focuses primarily on the silent film era, with a journey through the history of cinema continuing through the advent of sound film to the present day (auteur cinema of the 1960s, modern horror), formally employing techniques such as tinted film. The versatile parody intertwines a colorful plot with the story of the author (Váchal/Paseky), who comments on and creates his book, and is further split in the plot into the characters of Fragonard and the Master. As with Váchal, reality increasingly enters the fiction, so that the only "happy ending" turns out to be the artist's finished work.

After a few months at the spa, 14-year-old Pavel discovers that his love, his classmate Zuzana, has outgrown him. In addition, she has found a new boy classmate, who is nicknamed Eifelák because of his height. This is a big shock for Pavel and like a proper teenager he is very worried, he invents blood feuds which usually turn against him, in short he is completely distraught. His problems and suffering are understood more by his grandfather than by his busy parents. But the right patch for the wound is found in the form of another girl whom Pavel meets by chance and who is very special...

The subject of this film, which takes an analytical look at the life of all of us with an analytical eye, is the evil microbe that has slowly infiltrated the organism of the Czech nation. Through the intertwining fates of three couples, it evokes domestic life before November 1989, burdened by a suffocating atmosphere of unfreedom, and after November, when relatively nothing has changed because people have not changed. The bleak conclusion suggests that the plague epidemic is still ongoing.

No synopsis available yet.

The six-hour essay in four parts examines the history of regimes and revolutions, leaders and martyrs, from a philosophical perspective. The collage of personal memories, staged scenes and archives of collective memory compares the Prague Spring to the Velvet Revolution and shows the exposure, conflict, crisis, and catharsis of the post-communist society. Democracy can be saved through creative laughter, dissolving the untouchability and hypertrophic egos of the representatives of state institutions. The Internet frees the society from representatives of the non-functional connecting link that prevents direct communication between citizens and institutions of power. “I can see you until I spot you. Once I spot you, I cannot see you anymore.” K. Vachek

Dana is young medical student with no self esteem, she can't deal with life, people and even not with herself. After her boyfriend leaves her, she changes to selfish woman, manipulating people and making them to serve her. She plays with her husband, neighbors and friends - for her own good and for fun.

No synopsis available yet.