
La Hurlette and Carmen are a pair of philosophical tramps who enjoy simple pleasures in the company of the cheerful Sosthène. As in the fairy tales, La Hurlette learns that he has just inherited a tidy fortune, provided he can find a job. By dint of hard work, he manages to do so, and a banquet brings together his disinherited friends. Determined to live the high life, La Hurlette and Carmen lose all their inheritance at the Cabourg casino, and end up as philosophical as ever on their favorite bench.
Directed by Robert Verney, On the Bench leans on a strong ensemble — Raymond Souplex, Jane Sourza, Julien Carette — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 1954.
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Henri is a middle-aged writer with fading inspiration who has published nothing worthy of note in years. Feeling increasingly misunderstood by his wife and four grown up deadbeat kids, he dreams of running away to start over again. Yet when he discovers an unattractive, bad-mannered dog in his garden, he decides to adopt him and both start developing an unexpected friendship that inevitably upsets Henri’s family and neighbors.
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