
Art Louden, foreman of the Bar H Ranch, is contemptuous of the masculine city flappers and effeminate city sheiks who are vacationing on the ranch, and when reproached by the owner, Bill Hayes, for discourtesy to a guest, Art complains that there are no "she-women" left. Seeing a newspaper photo of Iris Millard, he is attracted by her apparent innocence; then she arrives with her father, and Art is disillusioned to find her as snobbish and as jazzily dressed as the others. His disdain, however, causes Iris to play up to his ideas.
Directed by Albert S. Rogell, The Man from the West leans on a strong ensemble — Art Acord, Eugenia Gilbert, Ervin Renard — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about western titles of 1926.
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